This debut novel by Brooklynite Tanner about the inarticulateness of young love was preempted at the Frankfurt Book Fair,...
A pair of young Russian immigrants, each desperately infatuated with the other, are parted and reunited in Brighton Beach.
This debut novel by Brooklynite Tanner about the inarticulateness of young love was preempted at the Frankfurt Book Fair, and rightly so. The author captures the subculture of the Russian émigré subculture in New York with verve and realism but infuses her two leads with such innocence and zeal that they become impossibly charismatic by the story’s end. The book opens on 10-year-old Vaclav, a charismatic lad whose hero and role model is Harry Houdini. His other half is Lena, a shy waif of a girl whose struggle to learn English and lack of family has left her marooned in a strange land. For Vaclav, things just are. “One day being a famous magician,” and “Lena being lovely assistant,” are eventualities. In Lena, Tanner captures so well the captivity of English as a second language. “So even though Lena is a very loud person on the inside, and very funny and smart, and sings songs and thinks big, loud thoughts, on the outside she seems quiet and shy,” she writes. Their life together seems meant to be. But when Vaclav’s mother Rasia discovers a terrible violation by Lena’s guardians, the girl is sent into the depths of Protective Services, where she’s lost for seven years. Vaclav whispers goodnight to Lena every night, while Lena keeps her affection for Vaclav locked away along with all the other secrets she keeps so close. Once reunited, they ask those terrible questions: “Did you remember me? Was I as important to you as you were to me? Was I alone in my remembering? Or were you with me the whole time?” These two graceful creatures must find some space between all their secrets in order to find happiness, alone or apart.Pub Date: May 31, 2011
ISBN: 978-1-4000-6931-6
Page Count: 304
Publisher: Dial Press
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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