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VACLAV & LENA

This debut novel by Brooklynite Tanner about the inarticulateness of young love was preempted at the Frankfurt Book Fair,...

A pair of young Russian immigrants, each desperately infatuated with the other, are parted and reunited in Brighton Beach.

This debut novel by Brooklynite Tanner about the inarticulateness of young love was preempted at the Frankfurt Book Fair, and rightly so. The author captures the subculture of the Russian émigré subculture in New York with verve and realism but infuses her two leads with such innocence and zeal that they become impossibly charismatic by the story’s end. The book opens on 10-year-old Vaclav, a charismatic lad whose hero and role model is Harry Houdini. His other half is Lena, a shy waif of a girl whose struggle to learn English and lack of family has left her marooned in a strange land.  For Vaclav, things just are. “One day being a famous magician,” and “Lena being lovely assistant,” are eventualities. In Lena, Tanner captures so well the captivity of English as a second language. “So even though Lena is a very loud person on the inside, and very funny and smart, and sings songs and thinks big, loud thoughts, on the outside she seems quiet and shy,” she writes. Their life together seems meant to be. But when Vaclav’s mother Rasia discovers a terrible violation by Lena’s guardians, the girl is sent into the depths of Protective Services, where she’s lost for seven years. Vaclav whispers goodnight to Lena every night, while Lena keeps her affection for Vaclav locked away along with all the other secrets she keeps so close. Once reunited, they ask those terrible questions: “Did you remember me? Was I as important to you as you were to me? Was I alone in my remembering? Or were you with me the whole time?” These two graceful creatures must find some space between all their secrets in order to find happiness, alone or apart.

Pub Date: May 31, 2011

ISBN: 978-1-4000-6931-6

Page Count: 304

Publisher: Dial Press

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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