by Haley Tanner ‧ RELEASE DATE: May 31, 2011
This debut novel by Brooklynite Tanner about the inarticulateness of young love was preempted at the Frankfurt Book Fair,...
A pair of young Russian immigrants, each desperately infatuated with the other, are parted and reunited in Brighton Beach.
This debut novel by Brooklynite Tanner about the inarticulateness of young love was preempted at the Frankfurt Book Fair, and rightly so. The author captures the subculture of the Russian émigré subculture in New York with verve and realism but infuses her two leads with such innocence and zeal that they become impossibly charismatic by the story’s end. The book opens on 10-year-old Vaclav, a charismatic lad whose hero and role model is Harry Houdini. His other half is Lena, a shy waif of a girl whose struggle to learn English and lack of family has left her marooned in a strange land. For Vaclav, things just are. “One day being a famous magician,” and “Lena being lovely assistant,” are eventualities. In Lena, Tanner captures so well the captivity of English as a second language. “So even though Lena is a very loud person on the inside, and very funny and smart, and sings songs and thinks big, loud thoughts, on the outside she seems quiet and shy,” she writes. Their life together seems meant to be. But when Vaclav’s mother Rasia discovers a terrible violation by Lena’s guardians, the girl is sent into the depths of Protective Services, where she’s lost for seven years. Vaclav whispers goodnight to Lena every night, while Lena keeps her affection for Vaclav locked away along with all the other secrets she keeps so close. Once reunited, they ask those terrible questions: “Did you remember me? Was I as important to you as you were to me? Was I alone in my remembering? Or were you with me the whole time?” These two graceful creatures must find some space between all their secrets in order to find happiness, alone or apart.Pub Date: May 31, 2011
ISBN: 978-1-4000-6931-6
Page Count: 304
Publisher: Dial Press
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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