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ALL THAT REMAINS

From the A Missing and Exploited Suspense Novel series , Vol. 1

A grim but steadily suspenseful novel.

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A young boy’s kidnapping affects the lives of his family members and an investigating detective in Holborn’s (The Roadrunner, 2017, etc.) thriller.

Eight-year-old Gabriel Wheeler’s home life in the town of Fenny is less than ideal. His mother, Celine, is an alcoholic, and she and her professional Elvis-impersonator boyfriend largely neglect him. He’s determined to play his role in his elementary school’s Winter Extravaganza, so he braves a trek through a raging blizzard alone. At the school, a man named Willard Crawley kidnaps the meek boy without any other adults noticing. Detective Harvey Sam leads an extensive search for the child, but he’s distracted by the sudden departure of his girlfriend, Pam, who took his beloved stepdaughter, Effie, with her. After years of isolation in a house in the woods, Willard is mentally unsound and often sees visions of his brother, Terrance, who died as an infant. He also believes that Gabriel is his late brother and seems intent on keeping the boy close. Next door is a woman named Chase Solomon who’s maintaining a low profile due to a warrant for marijuana possession and bail jumping. She has a chance to help Gabriel, but at the risk of her own freedom. Holborn’s story is dark but gripping. Willard is an unquestionably scary, well-established villain, and Gabriel is a sympathetic victim whose safety is always in question. Most of the characters are unlikable, but Celine’s deplorable apathy is particularly fascinating; she seems to care most about garnering sympathy and convincing others that Harvey is “useless.” Chase, who first appears in the book’s second half, shines as the reluctant good Samaritan. She proves to be even more interesting in the book’s “bonus sequel”—a Chase-starring short crime story, “The Roadrunner,” which involves a potential romance and cute puppies.

A grim but steadily suspenseful novel.

Pub Date: June 6, 2016

ISBN: 978-0-9919536-3-9

Page Count: 259

Publisher: Ferndale Publishing

Review Posted Online: March 15, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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