A grim but steadily suspenseful novel.

ALL THAT REMAINS

From the A Missing and Exploited Suspense Novel series , Vol. 1

A young boy’s kidnapping affects the lives of his family members and an investigating detective in Holborn’s (The Roadrunner, 2017, etc.) thriller.

Eight-year-old Gabriel Wheeler’s home life in the town of Fenny is less than ideal. His mother, Celine, is an alcoholic, and she and her professional Elvis-impersonator boyfriend largely neglect him. He’s determined to play his role in his elementary school’s Winter Extravaganza, so he braves a trek through a raging blizzard alone. At the school, a man named Willard Crawley kidnaps the meek boy without any other adults noticing. Detective Harvey Sam leads an extensive search for the child, but he’s distracted by the sudden departure of his girlfriend, Pam, who took his beloved stepdaughter, Effie, with her. After years of isolation in a house in the woods, Willard is mentally unsound and often sees visions of his brother, Terrance, who died as an infant. He also believes that Gabriel is his late brother and seems intent on keeping the boy close. Next door is a woman named Chase Solomon who’s maintaining a low profile due to a warrant for marijuana possession and bail jumping. She has a chance to help Gabriel, but at the risk of her own freedom. Holborn’s story is dark but gripping. Willard is an unquestionably scary, well-established villain, and Gabriel is a sympathetic victim whose safety is always in question. Most of the characters are unlikable, but Celine’s deplorable apathy is particularly fascinating; she seems to care most about garnering sympathy and convincing others that Harvey is “useless.” Chase, who first appears in the book’s second half, shines as the reluctant good Samaritan. She proves to be even more interesting in the book’s “bonus sequel”—a Chase-starring short crime story, “The Roadrunner,” which involves a potential romance and cute puppies.

A grim but steadily suspenseful novel.

Pub Date: June 6, 2016

ISBN: 978-0-9919536-3-9

Page Count: 259

Publisher: Ferndale Publishing

Review Posted Online: March 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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