Plenty to see for young animal (and plant) lovers, plus an expansive view of the concept of seasons.
Progressive split pages capture seasonal rounds and communities of wildlife in natural habitats worldwide.
Even the Arctic in winter has a populous look as Robin generously strews six broad, painted-paper–collage landscapes with flora and fauna that are strongly reminiscent of Eric Carle’s in color and composition. Most scenes are presented in a sequence of four increasingly larger, overlapped pages, one per season, arranged so that seams between seasons are artfully aligned. If Pang’s simply phrased commentary can’t always keep up, so that some of the wildlife on display goes unidentified, still it offers informational nourishment. This is conveyed in both specific facts (“The ostrich is the largest, heaviest bird in the world”) and big-picture explanations of what’s going on (“Behind giant dust clouds and swirling water, the Great Migration is taking place across the Mara River”). Moreover, in laudable contrast to the general run of seasonal albums, the usual spring-summer-fall-winter sequence changes up after opening views in and around a European oak. Alaskan scenes begin with autumn, China’s Yellow Dragon Valley with winter, and along with the Arctic’s binary winter and summer, both a mangrove swamp in northern Australia and Kenya’s Masaai Mara accurately see only “wet” and “dry” seasons. Human presence is confined to occasional pleas to be mindful of wild places.
Plenty to see for young animal (and plant) lovers, plus an expansive view of the concept of seasons. (Informational novelty. 4-6)Pub Date: Aug. 31, 2021
ISBN: 978-1-944530-37-2
Page Count: 40
Publisher: 360 Degrees
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
An interesting thought experiment, but it doesn’t quite take off.
What’s in a name? The characteristics of a bird cannot be conveyed by the names we give them—or by words in general.
According to Yolen, birds are given both scientific and popular names, such as robin, hawk, peacock, or swan, but neither name captures anything about what the bird is really like. The individuality of a bird, such as its color, or more tactile qualities, such as “The dinosaur feet, / crooked and brown, / or the talons with / nails as hard as / an old man’s,” are not conveyed by the name we give it. A bird’s name can’t convey its movement in space or the drama of a peacock’s outspread tail or the nature of its flight or even if it flies at all. (Picture the emu or the ostrich.) A concluding quote from noted physicist Richard Feynman sums it up: “You can know the name of a bird in all the languages of the world, but when you’re finished, you’ll know absolutely nothing about the bird.” The idea is interesting, and van der Linde’s illustrations are clean, clear, and attractive, but in exploring negation the text offers little for curious, concrete-thinking young readers. It’s thematically consistent but also maddening that the book doesn’t consistently identify the birds pictured. The closing note discusses recording bird song but then shrugs away the value of those recordings. (This book was reviewed digitally with 10.8-by-18-inch double-page spreads viewed at 54.3% of actual size.)
An interesting thought experiment, but it doesn’t quite take off. (Picture book. 4-6)Pub Date: Aug. 18, 2020
ISBN: 978-1-56846-349-0
Page Count: 32
Publisher: Creative Editions/Creative Company
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
A sweet first poetry collection takes young readers through the seasons.
Poems with kid appeal.
In the opening, titular poem, the main character declares that she is 5 years old. The poems that follow encompass the four seasons and explore topics that are meaningful to the age group, such as art projects, gardening with Mom, taking care of a pet, and more. The poems are accompanied by vivid illustrations to bring the symbolic language to life. Mora makes use of alliteration, onomatopoeia, and refrain to keep verses interesting. She reminds readers in the author’s note that not all poems rhyme, and she demonstrates this with a compilation of poems that largely don’t but still provide satisfying read-aloud potential. Each poem is a snapshot of what feels most important to a kindergarten-age child, including the death of a friend’s pet snail. As the poems continue, the passage of time is indicated with the lengthening of the protagonist’s hair, and the collection ends with a sixth birthday party illustration and poem. A handful of Spanish words and phrases appear in several poems, including one titled “Speaking Spanish,” in which the family travels to Mexico, but it is not a bilingual book. The main character, modeled on Mora’s granddaughter, has peach skin with blond hair and brown eyes. Other characters appear to have light brown or white skin and brown hair and eyes.
A sweet first poetry collection takes young readers through the seasons. (Picture book/poetry. 4-6)Pub Date: Sept. 14, 2021
ISBN: 978-1-64379-085-5
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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