Take seriously that subtitle—for what this fascinating book is all about are devices and procedures that allow the imaging of even a single atom suspended in a tiny doughnut-shaped trap. Von Baeyer (Physics/College of William and Mary), who charmed lay and professional readers alike with his Rainbows, Snowflakes and Quarks (1984), takes his main title from the fox in Saint ExupÇry's The Little Prince, who described ``taming: as establishing bonds—a process that happens slowly and with patience.'' So it has been, von Baeyer contends, with the history of atomic theory from Democritus to Einstein down to the latter-day stars of quantum mechanics. He reminds us that no less a giant of physics than Ernst Mach stoutly denied the existence of atoms at the end of the 19th century. Now, while there are no doubters, there remain the paradoxes of quantum mechanics—such as wave- particle duality: In the ``Copenhagen'' interpretation, an electron is potentially either a wave or a particle and the act of measurement determines which. Einstein rejected that notion, arguing instead that there is an objective reality beyond acts of measurement. Von Baeyer sorts out the history and experiments behind the paradoxes to bring us up to date with new theories to resolve them—including the use of ingenious devices such as a ``quantum eraser'' sensitive to a photon extracted from a single atom. Other clever atom-taming devices in the author's marvelous catalog include an apparatus that can prevent the spontaneous emission of an atom; ``tuned'' lasers that can detect impurities in a sample down to a single atom; and the ``magic wrist''—a machine that ``feels'' the ``surface roughness of the atomic landscape.'' And all this told in that combination of depth of knowledge and eyewitness narrative that marks the best science writing. (Eight pages of color illustrations—not seen.)
Pub Date: Aug. 1, 1992
ISBN: 0-679-40039-7
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1992
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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