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GOOD DOGS DON'T MAKE IT TO THE SOUTH POLE

An odd tone, uneven narrator, and lopsided plot hold this puppy back.

A dog and a widow navigate their new lives as a duo in this fiction debut.

Tassen is a one-man dog, and unfortunately, his man, The Major, has just taken his last breath. Now Tassen and widowed Mrs. Thorkildsen find themselves alone and faced with having to reconfigure their lives without him. This leads to journeys to the library and an interest in the 1911 race to the South Pole between Norway’s Roald Amundsen and Britain’s Capt. Robert F. Scott. Tassen is fascinated by Amundsen’s sled dogs, and Mrs. Thorkildsen tells him stories of how each dog met its fate, from being stuffed to eaten. Tassen is just getting used to his new normal when Mrs. Thorkildsen’s son and his family show up, seemingly concerned about how she’s getting on. Mrs. Thorkildsen assures them she’s fine, but is she? Tassen is a unique narrator, but the tone is all over the place, matter of fact and blunt and whimsical. It’s hard to get a feel for Tassen and, by extension, any other character. This is Thyvold’s first book to be published in the U.S. as well as his first work of fiction. His previous nonfiction book on Amundsen explains the intense amount of detail on the South Pole journey, which is unfortunately to the detriment of the main plot. The family thinks Mrs. Thorkildsen is losing her mind because she talks to and understands Tassen, but at one point a stranger does, too, and then it’s never mentioned again. The book is unsure of its own internal mythos, which throws everything else off.

An odd tone, uneven narrator, and lopsided plot hold this puppy back.

Pub Date: Aug. 18, 2020

ISBN: 978-0-06298-165-3

Page Count: 320

Publisher: HarperVia

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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