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PUPPET ON A STRING

From the O'Shaughnessy Chronicles series , Vol. 3

Tender tales that offer strong female protagonists and a peek at early-20th-century Americana.

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This third installment of a series uses a collection of short stories to expand the character of Catherine O’Shaughnessy, the fictional stand-in for the author’s mother.

The O’Shaughnessy Chronicles, the final volume of which is expected later this year, is a hybrid—family history harvested from Thorpe’s (Bittersweet Harvest, 2013, etc.) mother’s memoir amplified through fiction. The narratives are set in Iowa County in the southwest corner of Wisconsin, where Catherine and her two older sisters, Ruby and Sharon, are being raised on the family farm. Beginning with an adventure at a local carnival, during which young Catherine becomes separated from her siblings and is almost assaulted by a worker, the stories move through the post–World War I years in a series of vignettes that track the protagonist’s development from a child to a young grade-school teacher. Troublemaker Ruby is Catherine’s heroine, and the episodes in the first section of the book, “Ties That Bind,” recount the scrapes and misadventures in which the two girls find themselves. The second section, “Unfettered and Free,” sees the arrival from Texas of cousin Gusta, who has been sent to stay with the family for a year. Her antics add a bit of the wild side to the girls’ sheltered lives. Finally, in “Fraying the Ties,” Catherine, approaching her 20s, falls in love with Jonathon Hays, principal of the town’s high school. Two voices lead readers through the volume; the lengthy introduction and the prefaces to each of the stories are narrated by the author. The tales themselves are narrated by Catherine. Thorpe’s explanations for why each story is included and how it was changed from the memoir are unnecessary and become tedious—something that could have been included in endnotes without interrupting the flow of the fiction. But the individual vignettes themselves are engaging. They create a fully developed portrait of Catherine as well as vivid images of each piece’s time and place. Polished prose balances the squabbles, Depression-era poverty, and some painful losses with nostalgic innocence and humor.

Tender tales that offer strong female protagonists and a peek at early-20th-century Americana.

Pub Date: Sept. 28, 2018

ISBN: 978-1-942586-45-6

Page Count: 180

Publisher: Little Creek Press

Review Posted Online: Aug. 29, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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