An intelligent coming-of-age novel that earns its unease.
A quietly devastating debut novel about care as control.
In this elegant and unsettling debut, Suzanna grows up making weekly visits to the women’s prison where her mother is serving a life sentence for a politically motivated bank robbery. “The Bureau of Prisons claimed to be in the business of custody, not punishment,” Suzanna observes, “but by all appearances they were in the business of construction.” Fences rise, gun towers appear, and the flat hilltop is given “the sense of a peak.” Progress, here, is not moral, but architectural. Clark’s great achievement is her dissection of the systems that train us for endurance. Life on the hill thins out quietly. Babies are carried away by nuns, women blur into one another, cats disappear, and trees are uprooted. In time, dogs and puppies are introduced, folded into the prison’s language of rehabilitation and care. The dogs do not undo the disappearance of the cats; they formalize it. After the death of Suzanna’s grandfather, the balance of power shifts to her dogmatic grandmother, who refuses to visit the prison and just as firmly refuses to grant her daughter’s “crime” any moral legitimacy. In the novel’s second half, Suzanna’s adolescence hardens the patterns of her childhood. Visits become a fragile, regulated intimacy, while the outside world proves to have its own limits and restrictions. Time itself becomes punitive. In the Hole, women are denied clocks. In the Roost, a small reading nook, Suzanna and her mother curl up close, inhabiting a rare interval where time briefly loosens its grip. In spare, luminous prose, Clark delivers a masterful study of internalized confinement and the quiet, fierce love that can persist within it.
An intelligent coming-of-age novel that earns its unease.Pub Date: May 5, 2026
ISBN: 9780374614546
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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