In search of adventure, feisty 11-year-old Hallelujah escapes the watchful eye of her guardian and watches Chicago burn down around her during one memorable October week. Meticulously, Robinet re-creates the events of the 1871 fire. Hallelujah wanders about, witnessing behavior both brave and cowardly; performing some brave deeds of her own; alternating between excitement, horror at the destruction, and guilt that she is enjoying the experience; and meeting a succession of people- -including Elizabeth, a wealthy, newly homeless white girl who lives with Hallelujah until her snooty parents track her down. The characters here are less well developed than the themes; adults can sound childlike (``Lordy, Mr. Joseph, what have you done did?'') while children sound like adults (``We're both children. We have the same feelings and needs...''), but Hallelujah sees many people put aside their racial prejudices and pitch in to begin rebuilding. The message sits a bit heavily, and there are some careless repetitions; still, this child's-eye view of a great event should appeal to readers with a historical bent. Bibliography; maps not seen. (Fiction. 10-13)
Pub Date: Oct. 30, 1991
ISBN: 0-689-31655-0
Page Count: 144
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Compulsively readable; morally uncomfortable.
Six New Jersey 12-year-olds separated by decades race to ensure the “good guys” win World War II in this middle-grade work by the author of The Sisterhood of the Traveling Pants and her brother, a children's author and journalist.
It all starts with a ham radio that Alice, Lawrence, and Artie fool around with in 1944 and Henry, Frances, and Lukas find in 2023. It’s late April, and the 1944 kids worry about loved ones in combat, while the 2023 kids study the war in school. When, impossibly, the radio allows the kids to communicate across time, it doesn’t take long before they share information that changes history. Can the two sets of kids work across a 79-year divide to prevent the U.S.A. from becoming the Nazi-controlled dystopia of Westfallen? This propulsive thriller includes well-paced cuts between times that keep the pages turning. Like most people in their small New Jersey town, Alice, Artie, and Frances are white. In 1944, Lawrence, who’s Black, endures bigotry; in the U.S.A. of 2023, Henry’s biracial (white and Black) identity and Lukas’ Jewish one are unremarkable, but in Westfallen, Henry’s a “mischling” doing “work-learning,” and Lukas is a menial laborer. Alice’s and Henry’s dual first-person narration zooms in on the adventure, but readers who pull back may find themselves deeply uneasy with the summary consideration paid to the real-life fates of European Jews and disabled people. The cliffhanger ending will have them hoping for more thoughtful treatment in sequels to come.
Compulsively readable; morally uncomfortable. (Science fiction/thriller. 10-13)Pub Date: Sept. 17, 2024
ISBN: 9781665950817
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
Fast-moving but let down by questionable omissions.
The efforts of six New Jersey kids to prevent the Nazis from winning World War II continue in this sequel to Westfallen (2024).
In 1944, Alice, Lawrence, and Artie struggle to correct their catastrophic error that, as Alice repeatedly has it, “DESTROYED THE FUTURE.” In 2023, Frances and Henry desperately research the changed history that finds the U.S. transformed into the Nazi-controlled tributary state of Westfallen. Jewish Lukas is largely confined, unable to help them or reach the magic shed that houses the radio that allows the kids to communicate across time, putting him at risk of losing his memories. Meanwhile, in 1944, Lawrence collects scrap metal alongside a kid who grows up to be a patient in the Home for Incurables, where Henry works in 2023. Could that kid hold the key to restoring the timeline? In this volume, Lawrence and Frances join Alice and Henry as first-person narrators, depriving Lukas and Artie of narrative agency. This lack is particularly distressing in Lukas’ case, as his isolation is affecting his personality. It falls to Henry and Alice to prod him into action—which is unfortunate for a novel that never names the Holocaust and omits persecution of the Jews from Alice’s father’s explanation of Nazi ideology (although antisemitism is an obvious feature of life in this alternate timeline). The crackling pace can’t obscure these lapses. Alice, Artie, and Frances are white, Lawrence is Black, and biracial Henry is Black and white.
Fast-moving but let down by questionable omissions. (Science fiction/thriller. 10-13)Pub Date: Sept. 16, 2025
ISBN: 9781665950848
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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