As in his first two thrillers (Very Bad Men, 2011, etc.), Dolan plays out the complications with a spider’s patience. This...
Stung by discovering his fiancee’s infidelity, an upstate real estate inspector walks out on her and into a relationship with a local law student—a relationship that turns even more intense with the student’s murder.
As he tells Detective Frank Moretti, David Malone knew Jana Fletcher for 10 days before her death. And as Moretti tells him, they’d been lovers for 10 days as well, and there’s no suspect more obvious when David finds Jana strangled to death. Except for discovering her body, he insists he had nothing to do with her murder; more likely she was killed by whoever dropped the Popsicle stick in the woods nearby. Thanks to a series of cutaways to the perp’s viewpoint, the reader doesn’t have to take David’s word for it. The killer, identified only as K, is indeed the man who’s been watching Jana from the woods, warming up for her murder by snuffing Jolene Halliwell, a hooker who attached herself to him a little too insistently. In fact, as Moretti’s compulsive investigation gradually reveals, Jana’s death is only the latest in a string of violence that extends back two years—a saga that melds seduction, prostitution, drug dealing and kidnapping into an unholy mess swirling around unlovely high school teacher Gary Dean Pruett, whom Jana was determined to free from prison since she was convinced that he hadn’t killed his wife, Cathy, even though he’d clearly been cheating on her with his (barely) former student Angela Reese. Nor has Jana’s death brought this murderous string to an end.
As in his first two thrillers (Very Bad Men, 2011, etc.), Dolan plays out the complications with a spider’s patience. This time, however, an unmemorable culprit makes his infernal logic seem just a tad less inevitable, scary and remorseless.Pub Date: Jan. 9, 2014
ISBN: 978-0-399-15796-7
Page Count: 432
Publisher: Putnam
Review Posted Online: Dec. 20, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Cancel all your plans and call in sick; once you start reading, you’ll be caught in your own escape room—the only key to...
Four people answer an ominous summons from human resources only to be deliberately trapped in an elevator in Goldin’s debut thriller.
In the highflying world of finance, Vincent, Sam, Jules, and Sylvie used to be superstars, but recently they’ve failed to close too many lucrative deals, and they know their jobs are hanging by a thread. Called to a Friday evening meeting at an office building under construction, they become trapped in the steel elevator, which has been rigged to emulate an escape room. If they solve the clues, perhaps they can find their way out. At first, they assume it’s just the worst team-building exercise ever—but the clues point them toward a much darker possibility. How much do they know about the deaths of two young associates? Will they be able to solve the mystery and escape—or is the whole system rigged against them? There’s a Spanish proverb used by Tana French in The Likeness: “ 'Take what you want and pay for it,’ says God.” The main characters in Goldin’s novel should probably have paid more attention to the second half of that saying. Powerful, attractive, and unbelievably wealthy, they truly believe that their security and success are worth protecting at any cost. Despite the unsavory characters—or perhaps even because of them—this novel is pure entertainment. Offering a modern take on the classic locked-room mystery, Goldin strings the reader along by alternating chapters set in the past and in the present and by peppering the present chapters with riddles and word games. This is a commentary on the cutthroat, hypocritical world of finance, where one must sacrifice everything to stay on top. It provides us with antagonists we love to hate as well as a sympathetic heroine who pays the ultimate price for survival: her own sense of goodness and fair play.
Cancel all your plans and call in sick; once you start reading, you’ll be caught in your own escape room—the only key to freedom is turning the last page!Pub Date: Aug. 6, 2019
ISBN: 978-1-250-21965-7
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
Ace symbologist Robert Langdon returns, and the world trembles. Perfect escapist reading for fans.
Brown’s (The Lost Symbol, 2009, etc.) latest, in which a very bad guy is convinced that there are entirely too many people roaming the surface of the planet, and, because he’s a fan of Dante and the Plague both, he’s set to unleash inferno upon the world.
Naturally enough, this being a Brown novel, someone is in possession of a piece of occult knowledge that will save the day—or not. The novel is populated with the usual elements in the form of secret, conspiratorial organizations and villains on the way to being supervillains, and readers of a literary bent may find the writing tortured: “This morning, as he stepped onto the private balcony of his yacht’s stateroom, the provost looked across the churning sea and tried to fend off the disquiet that had settled in his gut.” To his credit, Brown’s yarn is somewhat more tightly constructed than his earlier Langdon vehicles, though its best parts are either homages or borrowings; the punky chick assassin who threatens Langdon, for instance, seems to have wandered in from a Stieg Larsson set, while the car-chase-and-explosions stuff, to say nothing of Langdon’s amnesiac wanderings around the world, would seem to be a nod to Robert Ludlum. (Being chased by a drone is a nice touch, though.) If you want more of the great medieval poet Dante woven into a taut thriller, see Matthew Pearl’s The Dante Club.
Ace symbologist Robert Langdon returns, and the world trembles. Perfect escapist reading for fans.Pub Date: May 14, 2013
ISBN: 978-0-385-53785-8
Page Count: 480
Publisher: Doubleday
Review Posted Online: May 22, 2013
BOOK TO SCREEN
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