There’s an elegiac quality to this gentle tale that takes place in a small town in Iowa on a Thursday afternoon in August of 1916. Tom Elson looks into the eyes of a mysterious animal, the farivox, and decides that he wants this animal more than he’s ever wanted anything. The farivox is said to be a rare animal, possibly extinct, that can talk in a human like voice. “Hurry!” Tom is sure he hears the farivox say, as he runs off to get the money to buy him. But Tom never sees the farivox again, for it is gone, just as if it had “dried up and been blown away by the hot August wind, like dust on one of Iowa’s long dirt roads.” Framed by stories of the demise of the passenger pigeon and other vanished species, the story holds out the hope that in some remote corner animals thought to be lost may linger on, and that someone, someday, may hear one of them whisper “Hurry.” McCully’s (Monk Camps Out, p. 480) luminous watercolors provide a perfect complement to this well-told tale that despite, or perhaps partly because of, its old-fashioned ambience and carefully paced telling, conveys the irrevocability of loss and gives added urgency to the meaning of “hurry.” (Picture book. 6-9)
Pub Date: April 1, 2000
ISBN: 0-15-201579-5
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)
Pub Date: July 1, 2009
ISBN: 978-0-8037-3264-3
Page Count: 112
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
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