by Harry L. Katz ; The Library of Congress ‧ RELEASE DATE: Oct. 21, 2014
Written with verve, Katz’s history is distinguished from a trove of Twain biographies by its 300 illustrations, including...
A richly illustrated life of an American icon.
Former Library of Congress curator Katz (Civil War Sketch Book, 2012, etc.) has reached deeply into the library’s archives for this commemoration of the enormously popular and prolific author. Besides offering a detailed—if familiar—narrative of Twain’s work, family and personality, Katz traces social, political and economic changes from 1850, when Twain first began publishing, until his death in 1910. After a few years in newspaper work in Hannibal, Missouri, 20-year-old Samuel Clemens set out to become a steamboat pilot on the Mississippi, but when the Civil War stopped river traffic, he decided to avoid the conflict by heading West. In Nevada and California, he became a miner, prospector and newspaper reporter, all while writing his own stories. His tall tale “The Celebrated Jumping Frog of Calaveras County,” published in 1865 under his pen name, won accolades, leading to a multicity lecture tour. A political and cultural gadfly, Twain “challenged monarchies, autocracies, plutocracies, and leaders of the civilized world to free, educate, and employ their subjects,” writes Katz. “He railed against his Christian God…for fostering ignorance and suffering, creating havoc in the lives of humankind.” He became “a cultural lightning rod” and an outspoken shaper of public opinion. Twain loved performing, but he also depended on tours for money. Notoriously bad with finances, he repeatedly made unsound investments and ended up in debt, despite his book earnings. By the time The Adventures of Huckleberry Finn appeared in 1885—generating immediate controversy—Twain had already cemented his reputation with Innocents Abroad (1869), Roughing It (1872), The Gilded Age (1873), The Adventures of Tom Sawyer (1876), and volumes of stories and sketches.
Written with verve, Katz’s history is distinguished from a trove of Twain biographies by its 300 illustrations, including photographs, cartoons and artwork, drawn from the LOC’s inestimable collection.Pub Date: Oct. 21, 2014
ISBN: 978-0-316-20939-7
Page Count: 256
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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