by Haruki Murakami ‧ RELEASE DATE: Oct. 26, 1997
On a canvas stretched from Manchuria to Malta, and with sound effects from strange birdcalls to sleigh bells in cyberspace,...
Not merely a big book from the broadly respected Murakami (Dance Dance Dance, 1994, etc.), but a major work bringing signature themes of alienation, dislocation, and nameless fears through the saga of a gentle man forced to trade the familiar for the utterly unknown.
Narrator Toru Okada quit his law-office job in Tokyo. Then he and his wife Kumiko lost their cat. Then Kumiko goes to work one day, and he never sees her again. The loss is overwhelming, but when two psychic sisters take an interest in Okada, to the point of entering his dreams, and a teenage neighbor shares with him her obsession with death, to the point of almost killing him, Okada realizes he's into something over his head. Of course, if he hadn't climbed into the dry well of a nearby vacant house, the teenager wouldn't have had a chance to get at him—and neither would he have had an out-of-body experience that left him with a bluish mark the size of a baby's palm on his cheek. And if he hadn't heard the chilling reminiscence of an old soldier who'd been thrown by his captors into a well in the Mongolian desert at the start of WW II, he never would have wanted to see for himself what a well-bottom was like. And if he hadn't married Kumiko, he wouldn't have the ire of her powerful, venomous brother now turned on him. And yet even so, suddenly, subtly, Okada's fortunes change: Brought through the mark on his cheek into an alliance with another team of psychics, this one mother and son, he acquires the vacant house and its well- -and moves deliberately toward a confrontation with the evil that took Kumiko away and all but destroyed him.
On a canvas stretched from Manchuria to Malta, and with sound effects from strange birdcalls to sleigh bells in cyberspace, this is a fully mature, engrossing tale of individual and national destinies entwined. It will be hard to surpass.Pub Date: Oct. 26, 1997
ISBN: 0-679-44669-9
Page Count: 640
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1997
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by Haruki Murakami ; translated by Philip Gabriel
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by Haruki Murakami ; translated by Philip Gabriel & Ted Goossen
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by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by George Orwell ; edited by Peter Davison
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by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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