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SEVEN LITTLE MICE GO TO SCHOOL

Some students may jump on the train to act this out on the first day of school, but it lacks the humor that would give it...

This delicate Japanese import is less about assuaging school fears than about a tricky mother who gets her children to go to school against their many and varied protests. 

It is the day before school starts, and the septuplets ("like twins only there are seven") are all ready for school with new hats, bags and shoes. But Mother must face the fact that her children do not want to go to school. They’ll be too tired, the wind will be too cold, they’ll meet a snake and they won’t know anyone; these are among their many excuses. Cleverly, Mother plans for the morning by unwinding two balls of yarn, making parallel lines that stretch from home all the way to school. She is unruffled when the children ignore her announcement that it is time for school—she just calmly steps out, stands between the strings and announces that the school train is departing. This piques the kids’ interest, and they are out of the house in no time, following along. But will some of their fears come true? This episode is a rather disappointing departure from the septuplets’ previous adventure, in which they were the ones to solve the problem (Mice at the Beach, 1987). Iwamura’s precise, softly colored illustrations, while adorable, add little narrative heft to the slight story.

Some students may jump on the train to act this out on the first day of school, but it lacks the humor that would give it lasting appeal. (Picture book. 3-5)

Pub Date: July 1, 2011

ISBN: 978-0-7358-4012-6

Page Count: 44

Publisher: NorthSouth

Review Posted Online: May 20, 2011

Kirkus Reviews Issue: June 1, 2011

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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THE CRAYONS LOVE OUR PLANET

A droll exploration of color and nature—and a welcome reminder to safeguard our planet.

Daywalt and Jeffers’ wildly popular Crayons have an important ecological message.

Though climate change is never mentioned, the book nevertheless gently introduces responsibility for Planet Earth. As in previous titles, the main text is in a large black font, while the Crayons’ dialogue is presented in a smaller, gray font. Blue begins by showing off a blue-tinged image of the globe (land masses are depicted in a darker hue). Green takes over: “Yay, Trees! I did those!” Beige breaks in, pointing to a tiny wheat plant next to two large trees: “And wheat! I did the WHEAT!” Beige puts wheat front and center throughout—even on White’s drawing of mountaintop ice caps. When Red, Yellow, and Orange display drawings of various fruits, Beige interjects, “And WHEAT. Wheat is totally fruit.” Diplomatic Purple politely responds, “Um. NO. It is not.” Purple attempts to dissuade self-important Beige, but it all ends happily as the Crayons join hands and proclaim: “Our planet has all of us too, in many shapes, colors, and sizes.” Beige and Purple reconcile, with Beige adding, “And it’s our job to keep the planet safe.” Young children will easily absorb this positive message. Although these characters have had many outings, their quiet humor still succeeds, and fans will definitely want this new entry.

A droll exploration of color and nature—and a welcome reminder to safeguard our planet. (Picture book. 3-5)

Pub Date: Feb. 13, 2024

ISBN: 9780593621080

Page Count: 32

Publisher: Philomel

Review Posted Online: Nov. 18, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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