An indispensable addition to a literature already brimming with anecdote and observation. (20 b&w photos)

SWEETNESS AND LIGHT

THE MYSTERIOUS HISTORY OF THE HONEYBEE

In a worthy, synthesized portrait, a British food writer distills reams of published material on the much-studied Apis Mellifera and its productive kin.

Though it took awhile for humans to get around to the beekeeping game, stone art reveals that they were avid honeyeaters from the start, writes first-time author Ellis. Touches of sly humor and pleasing renderings of her own days afield enliven her deft gathering of abundant facts. She explains bees’ social organization and foraging logistics, describes the trick of following a honeybird to a hive, examines the earliest evidence of beekeeping, and informs us that “a gallon of honey petrol could take a bee seven million miles.” Ellis doesn’t overdomesticate the miraculous. One of the strangest pieces of information she imparts is evidence that bees may have evolved before flowers. One of the most wonderful is how nectar is created and expressed through the honeybee’s art. Honey fuses the flavors of orange and coffee plants, or it reflects the thyme and marjoram hillsides of Greece, or it has a taste of Muscat grape, “a water-white honey said to be one of the clearest in the world.” The dark-brown rosemary honey, the salty honey that comes from the pohutukawa tree, the minty honey from the linden trees on Manhattan’s Lower East Side—Ellis pays tribute to them all. Equally enchanting is her history of honey-gathering, from its rude origins in the wild forest through woodland beekeeping and wicker hives (once Europe’s forest were no more) to the skep, that much-loved symbol of traditional beekeeping. Nor will the author deny the important role of the fermented drink mead in honey’s intoxicating magic. Those with a bent for natural history will find Ellis a class act, her style among the fanciful and insightful best.

An indispensable addition to a literature already brimming with anecdote and observation. (20 b&w photos)

Pub Date: March 22, 2005

ISBN: 1-4000-5405-2

Page Count: 288

Publisher: Harmony

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!

SILENT SPRING

It should come as no surprise that the gifted author of The Sea Around Us and its successors can take another branch of science—that phase of biology indicated by the term ecology—and bring it so sharply into focus that any intelligent layman can understand what she is talking about.

Understand, yes, and shudder, for she has drawn a living portrait of what is happening to this balance nature has decreed in the science of life—and what man is doing (and has done) to destroy it and create a science of death. Death to our birds, to fish, to wild creatures of the woods—and, to a degree as yet undetermined, to man himself. World War II hastened the program by releasing lethal chemicals for destruction of insects that threatened man’s health and comfort, vegetation that needed quick disposal. The war against insects had been under way before, but the methods were relatively harmless to other than the insects under attack; the products non-chemical, sometimes even introduction of other insects, enemies of the ones under attack. But with chemicals—increasingly stronger, more potent, more varied, more dangerous—new chain reactions have set in. And ironically, the insects are winning the war, setting up immunities, and re-emerging, their natural enemies destroyed. The peril does not stop here. Waters, even to the underground water tables, are contaminated; soils are poisoned. The birds consume the poisons in their insect and earthworm diet; the cattle, in their fodder; the fish, in the waters and the food those waters provide. And humans? They drink the milk, eat the vegetables, the fish, the poultry. There is enough evidence to point to the far-reaching effects; but this is only the beginning,—in cancer, in liver disorders, in radiation perils…This is the horrifying story. It needed to be told—and by a scientist with a rare gift of communication and an overwhelming sense of responsibility. Already the articles taken from the book for publication in The New Yorker are being widely discussed. Book-of-the-Month distribution in October will spread the message yet more widely.

The book is not entirely negative; final chapters indicate roads of reversal, before it is too late!  

Pub Date: Sept. 27, 1962

ISBN: 061825305X

Page Count: 378

Publisher: Houghton Mifflin

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: July 1, 1962

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Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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H IS FOR HAWK

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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