Sadness is turned to hope and tragedy is turned to strength in this sensitive treatment.

THE THREE LUCYS

A young Lebanese boy experiences loss after a war in a story based on the 2006 Hezbollah-Israeli conflict.

Luli lives in a small town in Lebanon. His favorite activity is to play with his cats: Lucy the Fat, Lucy the Skinny, and Lucy Lucy. During a summer trip to visit family in Beirut, Luli must leave the three Lucys behind, but it’s only for a weekend. However, on the way home from the bustling city—back to his Lucys—his family hears a scream in the sky. His father immediately turns the car around, and they huddle together in a Beirut basement every evening for days, wondering if the bombs will reach that city next. After a month of fighting, a cease-fire is declared. Luli’s family rushes home to find much destruction to their town, and hardest on Luli, only two of the three Lucys appear when he calls. Lebanese-American Charara deftly maneuvers through a child’s view of war. Buildings and lives are lost; Luli knows war is unspeakably powerful, but the mountain and sea are still there. They anchor his peace. Iranian-American Kahn’s watercolor palette changes from warm oranges to cool blues and grays, depending on the mood. But even in the middle of conflict and while surveying the aftermath, the glowing warmth of love consistently surrounds the family. An author’s note adds context to what the Lebanese call the July War.

Sadness is turned to hope and tragedy is turned to strength in this sensitive treatment. (Picture book. 5-10)

Pub Date: Sept. 1, 2016

ISBN: 978-1-60060-998-5

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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A nice and timely depiction of an immigrant child experience.

STELLA DÍAZ HAS SOMETHING TO SAY

From the Stella Díaz series , Vol. 1

Speaking up is hard when you’re shy, and it can be even harder if you’ve got two languages in your head.

Third-grader Estrella “Stella” Díaz, is a shy, Mexican-American girl who draws pictures and loves fish, and she lives in Chicago with her mother and older brother, Nick. Jenny, Stella’s best friend, isn’t in her class this year, and Stella feels lonely—especially when she sees that Vietnamese-American Jenny is making new friends. When a new student, Stanley Mason, arrives in her class, Stella introduces herself in Spanish to the white former Texan without realizing it and becomes embarrassed. Surely Stanley won’t want to befriend her after that—but he seems to anyway. Stella often confuses the pronunciation between English and Spanish sounds and takes speech classes. As an immigrant with a green card—a “legal alien,” according to her teacher—Stella feels that she doesn’t fully belong to either American culture or Mexican culture, and this is nicely reflected in her not being fully comfortable in either language, an experience familiar to many immigrant and first-generation children. This early-middle-grade book features italicized Spanish words and phrases with direct translations right after. There is a small subplot about bullying from Stella’s classmate, and readers will cheer as they see how, with the help of her friends and family, Stella overcomes her shyness and gives a presentation on Jacques Cousteau. Dominguez’s friendly black-and-white drawings grace most pages.

A nice and timely depiction of an immigrant child experience. (Fiction. 7-10)

Pub Date: Jan. 16, 2018

ISBN: 978-1-62672-858-5

Page Count: 208

Publisher: Roaring Brook Press

Review Posted Online: Nov. 13, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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