Sadness is turned to hope and tragedy is turned to strength in this sensitive treatment.

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THE THREE LUCYS

A young Lebanese boy experiences loss after a war in a story based on the 2006 Hezbollah-Israeli conflict.

Luli lives in a small town in Lebanon. His favorite activity is to play with his cats: Lucy the Fat, Lucy the Skinny, and Lucy Lucy. During a summer trip to visit family in Beirut, Luli must leave the three Lucys behind, but it’s only for a weekend. However, on the way home from the bustling city—back to his Lucys—his family hears a scream in the sky. His father immediately turns the car around, and they huddle together in a Beirut basement every evening for days, wondering if the bombs will reach that city next. After a month of fighting, a cease-fire is declared. Luli’s family rushes home to find much destruction to their town, and hardest on Luli, only two of the three Lucys appear when he calls. Lebanese-American Charara deftly maneuvers through a child’s view of war. Buildings and lives are lost; Luli knows war is unspeakably powerful, but the mountain and sea are still there. They anchor his peace. Iranian-American Kahn’s watercolor palette changes from warm oranges to cool blues and grays, depending on the mood. But even in the middle of conflict and while surveying the aftermath, the glowing warmth of love consistently surrounds the family. An author’s note adds context to what the Lebanese call the July War.

Sadness is turned to hope and tragedy is turned to strength in this sensitive treatment. (Picture book. 5-10)

Pub Date: Sept. 1, 2016

ISBN: 978-1-60060-998-5

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 22, 2016

Kirkus Reviews Issue: July 1, 2016

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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