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THE SYSTEM

THE AMERICAN WAY OF POLITICS AT THE BREAKING POINT

A sobering and sometimes maddening play-by-play of Bill Clinton's abortive crusade to reform health care. Clinton came into office, note Washington-based journalists Johnson (Divided We Fall, 1994) and Broder (Changing of the Guard, 1980), committed to making sweeping changes so that all citizens would have access to health care. However, despite his charisma, a Democratic-controlled Congress, and opinion polls showing that most Americans favored such reforms, Clinton emerged from the battle badly scarred. Johnson and Broder show that several scarcely controllable factors collided to produce the rejection of his 1,342-page bill of reform. Among them were the Republican backlash then being orchestrated by Newt Gingrich in a successful bid to become speaker of the House; lobbyists' adoption of new techniques of buying political access and manipulating public opinion; the failure of White House staffers, led by left-leaning policymaker Ira Magaziner, to communicate their ideas effectively; competition among leading Democrats to introduce health-care packages of their own; and a highly effective campaign, spearheaded by Rush Limbaugh, to discredit Bill and Hillary Clinton, so that teacup-size tempests like Whitewater came to overshadow the Clintons' legislative effort. Most of all, however, Clinton failed to reckon with the power of vested interests and of the so-called Gingrich revolution. The defeat was titanic—Clinton scarcely mentions health care these days—but the Republican victory may have been Pyrrhic: As the authors write, ``one year after the House Republicans signed their Contract with America, Congress had failed to pass 11 of 13 appropriations bills needed to keep the federal government operating, and half of the Contract's provisions were stalled by opposition or inaction.'' Hundreds of actors wander on and off stage in a sweeping narrative that deftly underscores the crisis of confidence now troubling our political system. (Author tour)

Pub Date: May 1, 1996

ISBN: 0-316-46969-6

Page Count: 560

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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