Much livelier than Smith’s first (Queen Bee of Mimosa Branch, 2001). Great title and fabulous cover art will have readers...
Rowdy southern feminist fantasy for women of a certain age.
The Mademoiselles, members of a high-school social club in 1960s Atlanta, have gone their separate ways, but some of them stayed the best of friends, morphing in middle age into the Red Hat Club. They meet for lunch (wearing red hats, of course) and dish the dirt. Here’s the latest: Diane’s husband Harold is probably cheating on her with a floozy. Sister Red Hats Georgia, Teeny, Linda, and SuSu swing into action. With the exception of Linda, happily married to a nice urologist who adores her, they’ve endured hellish divorces themselves, or they’re still married and running scared. The worldwide oversupply of avaricious bimbos is a constant worry to these once-loyal wives and mothers, who are determined to see to it that Harold gets his comeuppance. Diane begins to follow a paper trail, finding and copying documents that prove beyond a doubt he is hiding income and maintaining a hidden love nest—definitely not proper behavior for a distinguished southern banker. Adding taped phone calls and secret computer files to the stash of incriminating evidence can’t hurt. Sisterhood is powerful, and the Red Hats already know how to get themselves out of trouble before they get into it. Brief segues to fond reminiscences of their teenage selves, complete with heartthrobs, embarrassing parents, and physical changes, and then it’s back to the chase: Linda’s urologist husband confides that some of his male patients have come in with embarrassing minor injuries, thanks to a mysterious dominatrix who likes hurting men so much she does it for free. News flash: the unknown woman may be a former Mademoiselle! Will Harold be the next to get spanked?
Much livelier than Smith’s first (Queen Bee of Mimosa Branch, 2001). Great title and fabulous cover art will have readers reaching for it.Pub Date: Sept. 16, 2003
ISBN: 0-312-31693-3
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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