Potty humor worthy of the Golden Girls, plus musings on friendship and the metaphysical as true religion—all rolled into one.

THE RED HAT CLUB RIDES AGAIN

A spicy sequel offers an engaging ode to the lasting bonds of southern sisterhood and life-begins-at-50 optimism that will melt the most cynical of Yankee hearts.

What is it about the water down south that makes women bond for life as solidly as Fixodent to gums? This follow-up to the Red Hat Club (2003), with its references to adult toy stores, booze, 12-step programs, and Dr. Atkins, proves that even if Smith’s is a well-explored genre, her adventurous tale of six middle-aged Atlanta women remains a welcome ride. The Red Hats, dressed accordingly, are still meeting for their monthly ladies’ luncheons, but, thanks to the disposable income of millionaire member Teeny, they’re soon off on a series of wacky, husbandless sojourns—to Las Vegas, to Florida, even a monthlong Bahamian plastic-surgery cruise for extreme makeovers. Each exploit is threaded with earnest sentimentality as the women tout their 12 sacred traditions (though tradition 5, “Mind Your Own Business,” is rarely observed). When the gang heads to Sin City to kidnap wayward and substance-abusing sister Pru and steal her away to a Rocky Mountain rehab, the trip culminates in a laugh-out-loud episode as morally fixated narrator Georgia, unprepared for the sound of sirens when she hits the jackpot, flees her winning slot machine. Nostalgic flashbacks to the women’s sorority-sister youth illuminate each character’s past and hopefully render the story more relevant to those unfamiliar with AARP guidelines and More magazine. Smith’s lilting twang and kitchen-sink wisdom permeate every paragraph, making the suspension of disbelief surprisingly easy. Even a late-in-the-game Elton John cameo can be dismissed as well-intentioned overzealousness before you turn the page to see what will happen next.

Potty humor worthy of the Golden Girls, plus musings on friendship and the metaphysical as true religion—all rolled into one.

Pub Date: March 15, 2005

ISBN: 0-312-31691-7

Page Count: 336

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2005

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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