A feverish, demanding story that’s refreshingly new.
Alberts (The Battery Man, 2013) envisions a bleak future in which the rich may legally buy the poor like cattle.
In 2068, life for average Americans has never been worse. Gun ownership is illegal, social safety nets are gone, and companies fire employees after a single offense. The desperate masses, in turn, can opt to sell themselves to facilities known as Arcologies. With large payments made to family members, individuals become the property of these towering structures, where, as 21st-century slaves, they exist and die at the pleasure of the superrich. Nothing is off-limits—sex, gladiatorial combat, organ donation, anything. Within the Shinu Arcology, near Chicago, lives a disparate group of enslaved people that includes Mitch, Lisa, Delano, Rick and Alex. Coping with their fates, they make heroic choices that help them succeed against the murderous Arcology. In an experiment, Mitch’s consciousness is transferred into the facility’s computer network. Elsewhere, Lisa is secretly sold as a fighter to a man named Malboq, from whom she learns that the Arcologies are run by the Shinjimori yakuza; he’d like her to help vanquish their global tyranny. But can this assortment of heroes foment revolution before the yakuza punish the rest of the world? Author Alberts brings tremendous energy, imagination and technological smarts to his sprawling narrative. He skilfully weaves multiple character threads into a robust, frightfully believable world. Readers will happily root for Alberts’ heroes since the villainy is so starkly presented; for example, one of the prison guards reminds Lisa, “You do what we want, when we want it, and you don’t ask questions. You’re not a person anymore. You’re a plaything; a pet.” In general, however, Alberts often uses descriptions with three words when one will suffice, so some passages take on a sheen that might exhaust readers, as when “she could no longer contain her own emotions in full, as a wellspring of tears began to fill behind the ineffective levees of her eyelids.” Nevertheless, this lurid, fascinating work will satisfy deep thinkers.
A feverish, demanding story that’s refreshingly new.Pub Date: Oct. 26, 2013
ISBN: 978-1493575084
Page Count: 576
Publisher: CreateSpace
Review Posted Online: Feb. 27, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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