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DISASTER PREPAREDNESS

A MEMOIR

Havrilesky’s life is relatable but unremarkable—a pleasantly told story, but not compelling enough to sustain a full book.

Generic family memoir about growing up in North Carolina in the 1970s.

For Salon staff writer Havrilesky, as for most, childhood was a mix of ups and downs. The youngest of three, she was at the mercy of her older brother and sister—though, despite claims to the contrary, the abuse seemed to stop at minor offenses, like serving her an unappetizing cocktail of tomato juice and seltzer. Her parents’ fights and eventual divorce were a major turning point in the author’s childhood, invoking an understandable amount of instability, fear and strange vacations with other families who had different ways of looking at things. Adolescence came with the usual angst and awkwardness—a shining example of which was when she lost her virginity to a Paul Bunyan wannabe who was secretly pining after her best friend, and who, much to Havrilesky’s shagrin, told the entire school about their tryst, which came back to haunt her even years later at a reunion. Finally, when her siblings had shipped off to college, the author looked forward to quiet time at home with her mother after what felt like years of chaos. But the relative peace was soon broken when her elderly grandmother could no longer live on her own and moved in. As an adult, Havrilesky tried to analyze memories with her therapist, delving into complicated feelings toward her father, who is no longer living, her mother, who still tries to control many things about her life, and other experiences. Now married and a mother of two, she tries to make sense of how her childhood influenced the adult that she has become.

Havrilesky’s life is relatable but unremarkable—a pleasantly told story, but not compelling enough to sustain a full book.

Pub Date: Jan. 3, 2011

ISBN: 978-1-59448-768-2

Page Count: 256

Publisher: Riverhead

Review Posted Online: Dec. 2, 2010

Kirkus Reviews Issue: Dec. 1, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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