by Heather Lanier ‧ RELEASE DATE: Sept. 12, 2023
A powerful poetic reckoning with motherhood and religion.
Lanier offers a collection of poems addressing motherhood and religion.
This body of poems straddles the delicate creation of new life and the unpredictability of death. The author begins with a poem about pumping breast milk at work (“Pumping Milk”). As she stands topless in the office, she contemplates the strange dichotomy of her identity: “half of me is made / for spring break gone primal, / the other half / will write a memo. / Is this what it means / to be a mother? The self, split.” She complains about a walk interrupted by someone pushing free Bibles and ponders a looming government shutdown while marveling that her body houses “someone thirty weeks in the making / and already a heart beating” (“Bed Rest”). Bizarre stories (a bear takes police on a wild chase) mingle with tragic ones (police violence against Black men). She imagines what Jesus doodled in the sand, adopts the point of view of Eve, and wonders about the Virgin Mary’s experience of pregnancy. As critical as the poet is of religion, she also acknowledges that “science / can’t state a single / thing sturdily” (“ ‘Jesus Might Have Walked on Ice,’ Scientists Say"). Lanier’s metaphors are masterful. Her pregnant body is “a bulbous / water-slow clock of waiting” (“The Making”). A baby has “Q-tip toes of a newborn” (“Only a Sliver of Love Runs Hot”). Of pumping breast milk at work, she writes, “I’ll soon hook up / with plastic trumpets, turn on / my motor, get milked.” Her descriptions are visceral and unique—in “Bed Rest,” a midwife “cranks / the metal beak” of a speculum during a prenatal exam. Lanier’s truth telling is bold and vulnerable. Following her father’s death, she writes, “Grief wails the first year, but by the seventh / it whispers. The quiet is maddening” (“Ode to Seven”). She captures the ambivalence and anxiety of motherhood accurately; nearing the end of her pregnancy, she writes, “I’ve tried, for your sake, to love / this state” (“Forecast in the Thirty-First Week”).When the poems veer into politics, however, they lose a little magic.A powerful poetic reckoning with motherhood and religion.
Pub Date: Sept. 12, 2023
Page Count: 80
Publisher: Monkfish Book Publishing
Review Posted Online: May 11, 2023
Review Program: Kirkus Indie
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by Susan Mallery ‧ RELEASE DATE: May 31, 2022
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.
Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.
Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.
Pub Date: May 31, 2022
Page Count: 352
Publisher: Harlequin MIRA
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
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by Barbara Kingsolver ‧ RELEASE DATE: Oct. 18, 2022
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Awards & Accolades
Best Books Of 2022
New York Times Bestseller
Pulitzer Prize Winner
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Pub Date: Oct. 18, 2022
Page Count: 560
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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