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JENNIFER JOHNSON IS SICK OF BEING SINGLE

An odd, flawed book with no obvious audience.

The second novel from the author of Pretty Little Mistakes (2007).

Jennifer Johnson is 30. She’s single and has a job writing advertising copy for a middling Minneapolis department store. She recently made the existentially significant shift from a size 10 to a size 12. Both her younger sister and her ex are getting married on Valentine’s Day. Jennifer would like to be a real writer. She would like to kick her addiction to Cinnabon. More than anything, she would like to not be single. She’s tried online dating. She’s completely ignored the obvious affection of her sweet, attentive coworker Ted. Romantically speaking, she is utterly out of ideas. Then handsome department-store heir Brad Keller walks into her life. For reasons she cannot comprehend, he asks her out on a date, and she decides to make him her own—even if that means totally redefining who she is and what she wants out of life. Jennifer is self-absorbed to the point of being totally unpleasant and McElhatton has a tendency to lavish incredible detail upon material goods while completely ignoring emotional development—although the emphasis here is on Jennifer’s kitschy décor rather than, say, Chloe jeans or Christian Louboutin pumps. Most of the novel is pretty much indistinguishable from other chick-lit fare. But, by the end, there’s a spectacular—and problematic—shift away from the genre’s conventions. Readers who love chick lit will almost certainly be dismayed, and readers who might appreciate McElhatton’s ruthlessness are unlikely to pick up her book in the first place.

An odd, flawed book with no obvious audience.

Pub Date: May 5, 2009

ISBN: 978-0-06-146136-1

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2009

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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