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GILBERT AND THE GHOST

Heartwarming proof that friends can show up in unexpected places.

A shy boy tries to communicate with the neighborhood ghost.

There’s a ghost at 632 Savannah Street—but Gilbert seems to be the only one who’s aware of it. Gilbert’s family doesn’t believe him; they call him imaginative or decry the existence of ghosts entirely. But Gilbert thinks the ghost might feel as invisible as he does. He knows how difficult it is to make a friend. So Gilbert starts leaving gifts outside the old house. Day after day, they disappear—is the ghost taking them? While Gilbert’s family members offer rational explanations, the ghost’s continued engagement emboldens Gilbert, who leaves a note, which gets taken. He brings his best drawing and another note, then waits on the swing set across the street. A girl approaches him and keeps him company as he waits for an answer. Will the ghost ever come? Mason’s autumnal palette contributes to a spooky atmosphere, while illustrations from the (unseen) ghost’s perspective add to the gentle suspense. Overall, this tale is more sweet than scary and will be a surefire hit with readers looking for seasonal fun. Stigall’s tight structure cleverly builds intrigue while never explicitly revealing the ghost’s true identity. Even as contextual clues give readers a fuller picture of what’s really happening, Gilbert seems to maintain his belief in the supernatural—a beautifully child-centric touch. Gilbert, his family, and the girl are tan-skinned; supporting characters vary in skin tone.

Heartwarming proof that friends can show up in unexpected places. (Picture book. 4-8)

Pub Date: Aug. 19, 2025

ISBN: 9781506491493

Page Count: 32

Publisher: Beaming Books

Review Posted Online: May 3, 2025

Kirkus Reviews Issue: June 1, 2025

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HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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