Heartwarming proof that friends can show up in unexpected places.
A shy boy tries to communicate with the neighborhood ghost.
There’s a ghost at 632 Savannah Street—but Gilbert seems to be the only one who’s aware of it. Gilbert’s family doesn’t believe him; they call him imaginative or decry the existence of ghosts entirely. But Gilbert thinks the ghost might feel as invisible as he does. He knows how difficult it is to make a friend. So Gilbert starts leaving gifts outside the old house. Day after day, they disappear—is the ghost taking them? While Gilbert’s family members offer rational explanations, the ghost’s continued engagement emboldens Gilbert, who leaves a note, which gets taken. He brings his best drawing and another note, then waits on the swing set across the street. A girl approaches him and keeps him company as he waits for an answer. Will the ghost ever come? Mason’s autumnal palette contributes to a spooky atmosphere, while illustrations from the (unseen) ghost’s perspective add to the gentle suspense. Overall, this tale is more sweet than scary and will be a surefire hit with readers looking for seasonal fun. Stigall’s tight structure cleverly builds intrigue while never explicitly revealing the ghost’s true identity. Even as contextual clues give readers a fuller picture of what’s really happening, Gilbert seems to maintain his belief in the supernatural—a beautifully child-centric touch. Gilbert, his family, and the girl are tan-skinned; supporting characters vary in skin tone.
Heartwarming proof that friends can show up in unexpected places. (Picture book. 4-8)Pub Date: Aug. 19, 2025
ISBN: 9781506491493
Page Count: 32
Publisher: Beaming Books
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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