A succinct, beautifully crafted documentation of the origin of Buddhism.
Before he was known as the Buddha—“the awakened one”—Prince Siddhartha lived a decadent life within protective palace walls, surrounded by abundance and sheltered from life’s inevitable cruelties.
Siddhartha becomes a man within the palace, marrying a wife and fathering a son. However, his curiosity about life outside the palace grows. When he finally travels outside, Siddhartha sees old age, sickness, and death for the first time, and he learns that these painful experiences are universal and unavoidable. This realization becomes the first noble truth of Buddhism, and it inspires Siddhartha to abandon his life of privilege to become a spiritual seeker. Through his meditations, Siddhartha becomes the Buddha. His teachings, such as the foundational “four noble truths,” spread worldwide and become known as Buddhism. This narrative manages to distill the life of one of the world’s most influential spiritual teachers into a slim illustrated narrative. Evocative of the traditional Tibetan Buddhist paintings known as thangkas, the soft watercolors grace the rather stoic narrative with an emotional quality as it depicts the subject’s transition from Prince Siddhartha to the Buddha. The tale is set in India, and the skin tones depicted are realistic and vary from peachy tan to deep brown. This picture book will serve families seeking to share their own Buddhist faith and practice with children as well as independent readers researching spiritual practices.
A succinct, beautifully crafted documentation of the origin of Buddhism. (Informational picture book. 6-12)Pub Date: March 24, 2020
ISBN: 978-1-61180-629-8
Page Count: 44
Publisher: Bala Kids/Shambhala
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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