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Half Mortal

From the Daughter of Light series , Vol. 2

Dynamic characters choose sides on the battlefield and in their hearts, aptly setting the stage for the next book.

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In this second installment of a YA fantasy series, a half faerie must decide whether incarnating a wicked entity will stop a fiendish princess from seizing the throne in the Realm of Faerie.

Now that Gray-Faerie regent Elendah is dead, war between the Dark and Light in the enchanted world is imminent. Princess Lilliane convinces Queen Luisa that the Albiana lineage is a threat to the throne—specifically, half mortals like Melia. The genuine threat is Umbra, a bodiless being in need of a willing vessel and who’s already failed in swaying Melia. Her sisters and cousin Gabriela, however, may be in danger, so Melia traverses the mortal world to warn them. Flora, the last of the spring faeries, later makes a startling proposition—Melia should voluntarily incarnate Umbra. If the half faerie can learn to control Umbra, she’ll be a formidable opponent to Lilliane, who’s garnered power as a practitioner of black magic. Melia doesn’t get much encouragement from maybe love interest and priest Ryder, worried that the entity will kill her. But she also has competition for the role of vessel, ranging from dragonwitch Sevondi to young Jade, Gabriela’s granddaughter, whom Umbra seems to target. Interested parties may need to steal a magical sword and basin for the incarnation, while Melia will have to elude an assassin Lilliane sends after Jade. Despite teasing a Dark/Light confrontation, this sequel to Half Faerie (2014) is really a struggle over who will embody Umbra. Both Sevondi and Jade fight for the opportunity, the latter believing Umbra’s chosen her and who further sparks a delightful romantic entanglement by adhering herself to Ryder. Dialogue-laden scenes have surprising momentum, with characters generally discussing strategy, and Umbra telepathically relaying to Flora his intention to destroy the Whole (all known worlds). Mortal-world inhabitant Jade’s cynical self-awareness, meanwhile, adds humor. Anticipating her rescue when captured, she muses: “Isn’t that what happened in the enchanted world? Damsels in distress and all.” A climactic war in Faerie is saved for a subsequent volume, but Garrett (Isolt’s Enchantment, 2015, etc.) wraps up this entry satisfactorily, with a bloody skirmish, some deaths, and a reunited family.

Dynamic characters choose sides on the battlefield and in their hearts, aptly setting the stage for the next book.

Pub Date: July 21, 2015

ISBN: 978-0-9907691-3-2

Page Count: 538

Publisher: Half-Faerie Publishing

Review Posted Online: Aug. 23, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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