Dynamic characters choose sides on the battlefield and in their hearts, aptly setting the stage for the next book.

Half Mortal

From the Daughter of Light series , Vol. 2

In this second installment of a YA fantasy series, a half faerie must decide whether incarnating a wicked entity will stop a fiendish princess from seizing the throne in the Realm of Faerie.

Now that Gray-Faerie regent Elendah is dead, war between the Dark and Light in the enchanted world is imminent. Princess Lilliane convinces Queen Luisa that the Albiana lineage is a threat to the throne—specifically, half mortals like Melia. The genuine threat is Umbra, a bodiless being in need of a willing vessel and who’s already failed in swaying Melia. Her sisters and cousin Gabriela, however, may be in danger, so Melia traverses the mortal world to warn them. Flora, the last of the spring faeries, later makes a startling proposition—Melia should voluntarily incarnate Umbra. If the half faerie can learn to control Umbra, she’ll be a formidable opponent to Lilliane, who’s garnered power as a practitioner of black magic. Melia doesn’t get much encouragement from maybe love interest and priest Ryder, worried that the entity will kill her. But she also has competition for the role of vessel, ranging from dragonwitch Sevondi to young Jade, Gabriela’s granddaughter, whom Umbra seems to target. Interested parties may need to steal a magical sword and basin for the incarnation, while Melia will have to elude an assassin Lilliane sends after Jade. Despite teasing a Dark/Light confrontation, this sequel to Half Faerie (2014) is really a struggle over who will embody Umbra. Both Sevondi and Jade fight for the opportunity, the latter believing Umbra’s chosen her and who further sparks a delightful romantic entanglement by adhering herself to Ryder. Dialogue-laden scenes have surprising momentum, with characters generally discussing strategy, and Umbra telepathically relaying to Flora his intention to destroy the Whole (all known worlds). Mortal-world inhabitant Jade’s cynical self-awareness, meanwhile, adds humor. Anticipating her rescue when captured, she muses: “Isn’t that what happened in the enchanted world? Damsels in distress and all.” A climactic war in Faerie is saved for a subsequent volume, but Garrett (Isolt’s Enchantment, 2015, etc.) wraps up this entry satisfactorily, with a bloody skirmish, some deaths, and a reunited family.

Dynamic characters choose sides on the battlefield and in their hearts, aptly setting the stage for the next book.

Pub Date: July 21, 2015

ISBN: 978-0-9907691-3-2

Page Count: 538

Publisher: Half-Faerie Publishing

Review Posted Online: Aug. 23, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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