A poignant tale of love, betrayal, and forgiveness.
In McCrary’s novel, a woman navigates her complicated feelings for her comatose friend’s husband.
Two years ago, Allison was driving home from work when a 20-year-old, glued to his phone, T-boned her car and left her in a coma. Ever since, Morgan, her best friend, has come to visit every Thursday afternoon, like clockwork. Despite Allison’s comatose state, Morgan does her best to maintain a semblance of normalcy: She books a hairstylist to come touch up Allison’s dye job, she convinces a nurse to let her bring Allison outside for some fresh air, and she even throws Allison a birthday party. Throughout every visit, Morgan talks to her comatose friend, keeping her updated on life outside the hospital. What Morgan doesn’t know is that over the last few months, Allison has gained the ability to hear, and she has opinions. Prior to the accident, Allison’s marriage to car salesman Jackson was on the rocks. For the past two years, Jackson and Morgan have managed to visit Allison without overlapping, but circumstances involving Allison’s family force the two to spend more time together—and compel them to confront their growing feelings for each other. Soon, all involved must decide what they want, and what they’re willing to give up. The narrative switches between the first-person points of view of Morgan and Allison, providing nuanced perspectives from both sides of the friendship. The prose shines during Allison’s sections, especially as she describes her experience in the coma: “Living disjointed from my body is like that bad sci-fi movie with the unorthodox scientist in his lab, surrounded by jars containing body parts—a brain floating in alcohol.” Unfortunately, Jackson is never quite as vivid or compelling as the women, which may hinder the believability of a possible relationship. Fans of novels about messy female friendships will enjoy this heart-wrenching and hopeful story.
A poignant tale of love, betrayal, and forgiveness.Pub Date: Jan. 26, 2027
ISBN: 9798896364108
Page Count: 256
Publisher: She Writes Press
Review Posted Online: Sept. 13, 2026
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
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