This spectacular synthesis of elements creates magic on the iPad. Parents and kids won’t want to tear themselves away.
A melodious music app combines artistic creativity with top-notch execution.
This superb app offers three songs plus a musical "play space" that all feature gorgeous, detailed illustrations, high-quality music and sound effects, and first-class animations. “London Bridge” and “Old MacDonald” are voiced in unaffected, sweet kids' voices, while "Evening Song" is sung mellifluously by an adult. The creators clearly paid attention to detail in all of the elements, with stupendous results. In “Old MacDonald,” the scenery and animations change to reflect the season, which is controlled by viewers by turning a wheel. The “London Bridge” scene is reminiscent of a Rube Goldberg contraption, with wacky details abounding. “Evening Song” has a quieter feel, but there is plenty to discover and animate. The Studio play space (a hollow tree) is populated with an array of sounds, like frogs singing, knitting needles clacking and spiders scuttling, all of which can be set to three background rhythms, while Fox dances center stage. There is so much creativity here that it can’t even fit onto the screen—when viewers scroll from side to side, they discover even more treasures. The only minor quibble is that the sound effects sometimes compete slightly with the music, particularly in the quieter "Evening Song."
This spectacular synthesis of elements creates magic on the iPad. Parents and kids won’t want to tear themselves away. (iPad music app. 3-10)Pub Date: March 15, 2012
ISBN: N/A
Page Count: -
Publisher: Shape Minds and Moving Images GmbH
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
A top-grade creepy/funny addition to the spooky-picture-book canon.
Is a cute kitty built in a castle’s laboratory responsible for the bad things that start happening?
“Here is a tale to chill the blood and thrill the soul—a tale of spooky paws and eerie claws.” The disembodied talking skull who narrates this story is alluding to Frankenkitty, who was engineered out of multiple cats, with visible stitches to show for it. As the house ghouls look on, Frankenkitty’s inventor laments, “I’ve created a monster!” Sure enough, bad things start happening: The mummy begins to unravel. Kitchen mice terrorize the cook. Certainly, Frankenkitty must be to blame. But after the butler, who resembles Frankenstein’s Monster, tosses Frankenkitty outside into the snow, where he looks forlorn and adorable, the skull has second thoughts: “Wait! Did we get it wrong?” It’s up to readers to make the call. Powell-Tuck goes all in with her spoof of old-time horror tropes, although kids needn’t know who Boris Karloff is to be tickled. For the book’s every scare (a severed foot and hand, their bones visible), there’s a wink (in a bit of metafictive fun, the skull urges readers to opt for a story about “unicorns, beasts, or bears”). Grey, a glutton for detail, leans on menacing reds and sickly greens to capture the frights, which include, in a line for the spooky-story ages, “walls as gray as old underpants.” Human characters vary in skin tone.
A top-grade creepy/funny addition to the spooky-picture-book canon. (Picture book. 4-8)Pub Date: July 7, 2026
ISBN: 9781664300972
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: March 23, 2026
Kirkus Reviews Issue: April 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
