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THE LITTLE BELL THAT WOULDN'T RING

A CHRISTMAS STORY

Nice words, indeed.

A Swiss import with a Christmastime message for the whole world.

A church with a bell tower stands in a cozy town square, and in that tower are four bells that “were very, very old. Except for the smallest one, which was new.” The old bells ring out their songs, but as anticipated by the title, the little bell won’t ring. A dove named Felidia wants to encourage the bell to ring, and a wise old crow tells her that “nice words always help.” But which nice words will move the little bell to ring? Felidia and other birds chirp, “Morning sun” and “Cake crumbs!” and even try “Christmas pudding, fairy tale, chocolate, snowflake,” but none of these nice words provoke chiming. Birds fly around the world learning to say “Merry Christmas” in different European languages, but this doesn’t work; nor do the names of various cheeses listed by a group of mice, nor the words “I love you,” learned from a young couple who appear White (as do all other depicted people). On Christmas Eve, stillness descends, and text describes “a tiny light…crossing the sky.” Unfortunately, the art doesn’t clearly show this “light from Bethlehem [that] goes all around the world with a message of peace.” (Also unfortunate is the low-contrast placement of black text on evening-blue sky.) Nevertheless, this message of peace finally inspires the bell to ring, delivering a satisfying conclusion to the tale.

Nice words, indeed. (Picture book. 3-7)

Pub Date: Oct. 6, 2020

ISBN: 978-0-7358-4386-8

Page Count: 32

Publisher: NorthSouth

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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