RETURN TO TIBET

TIBET AFTER THE CHINESE OCCUPATION

A fusty, indignant report—dated 1983—from Tibet by Harrer (Seven Years in Tibet, not reviewed), the now-celebrated adventurer who briefly returned to his “second home” 30 years after fleeing China’s invasion. In 1945 the Austrian author escaped from a British prisoner-of-war camp, hoofed it over the Trans-Himalayan range, and eventually arrived in Lhasa, capitol of Tibet. There he found what he took to be an idyll: a sublime mix of Tibetan Buddhism, ancient customs, and dust-free air that made landscape colors incandescent. He became an important figure in the country—chief engineer, tutor of the Dalai Lama—but left as the Chinese commenced their occupation. In 1982 he was able to revisit Tibet during the “Chinese-staged thaw,” and he was by turns heartbroken and inspired by what he observed: Valuable cultural treasures had been destroyed by the invaders, and stories of concentration camps, forced labor, and political murders sent him reeling. Yet the country’s religion was still strong, and there continued both armed resistance to the Chinese and an unquashable national will. His two sojourns in the country make for some intriguing before-and-after comparisons, and his comments on particulars of Tibetan Buddhism are revealing. But the tone of the book is dryly nostalgic, when not bitter, and Harrer’s opinions sometimes seem jarringly contradictory. He rails against what the Chinese have done to the country—razing monasteries, imprisoning and killing nationals—and then inexplicably suggests that China and Tibet might be well served by a partnership, with Tibet happily becoming “part of that enormous yellow state.” Moreover, every so often he lets the feudalist in him shine through unforgivably in making unfortunate remarks on his longing for a land “where superstition would be the poetry of life.” The insights are worth the cover price anyhow, despite the author’s occasional reactionary comments and his priggishness.

Pub Date: June 1, 1998

ISBN: 0-87477-925-1

Page Count: 224

Publisher: TarcherPerigee

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1998

Did you like this book?

No Comments Yet

WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

more