An elegant artistic statement, but readers looking for a story on self-esteem will be disappointed.
Rhinoceros is not sure about his looks and wishes he were someone else, but his friends and one experience leave him feeling better.
“Here comes Rhinoceros. / Beautiful as a mountain. / A tiny bird settles on his back, / gentle as a snowflake.” Rhinoceros is sad because his horn is crooked and wishes he were “free like that snowflake,” in his imagination flying around with different sets of wings and even balloons. His fellow animals tell him they need him to protect them, and when the storm comes, he shelters the tiny bird with his mighty body, leaving him feeling better. The animals, which are lightly anthropomorphized (the meerkat carries a red umbrella), are drawn with great attention to texture on largely blank pages and in earthy colors accentuated in red, giving the illustrations a collagelike and contemporary art feel. However, the elliptical text does not live up to the quality of the artwork, and many readers will find the language disjointed and prose forced (possibly as a result of the translation from German). Moreover, some of the similes will most likely escape the comprehension of younger readers (“Curious as a mountain”?), who will likely also find the storyline—the rhino laughs as the bird is blown off his back before returning off-page—difficult to follow.
An elegant artistic statement, but readers looking for a story on self-esteem will be disappointed. (Picture book. 5-8)Pub Date: Nov. 1, 2018
ISBN: 978-1-55455-448-5
Page Count: 32
Publisher: Fitzhenry & Whiteside
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An effective early chapter book conveyed in a slightly overdone gag.
Epistolary dispatches from the eternal canine/feline feud.
Simon the cat is angry. He had done a good job taking care of his boy, Andy, but now that Andy’s parents are divorced, a dog named Baxter has moved into Andy’s dad’s house. Simon believes that there isn’t enough room in Andy’s life for two furry friends, so he uses the power of the pen to get Baxter to move out. Inventively for the early-chapter-book format, the story is told in letters written back and forth; Simon’s are impeccably spelled on personalized stationery while Baxter’s spelling slowly improves through the letters he scrawls on scraps of paper. A few other animals make appearances—a puffy-lipped goldfish who for some reason punctuates her letter with “Blub…blub…” seems to be the only female character (cued through stereotypical use of eyelashes and red lipstick), and a mustachioed snail ferries the mail to and fro. White-appearing Andy is seen playing with both animals as a visual background to the text, as is his friend Noah (a dark-skinned child who perhaps should not be nicknamed “N Man”). Cat lovers will appreciate Simon’s prickliness while dog aficionados will likely enjoy Baxter’s obtuse enthusiasm, and all readers will learn about the time and patience it takes to overcome conflict and jealousy with someone you dislike.
An effective early chapter book conveyed in a slightly overdone gag. (Fiction. 6-8)Pub Date: May 12, 2020
ISBN: 978-0-8234-4492-2
Page Count: 80
Publisher: Holiday House
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
A quick but adventuresome paddle into a mysterious realm.
The ocean’s depths offer extra wonders to a child who is briefly left behind on a class trip.
In the wake of their Field Trip to the Moon (2019), a racially diverse group of students boards a submarine (yellow, but not thatone) for a wordless journey to the ocean’s bottom. Donning pressure suits, the children follow their teacher past a swarm of bioluminescent squid, cluster around a black smoker, and pause at an old shipwreck before plodding back. One student, though, is too absorbed in taking pictures to catch the signal to depart and is soon alone amid ancient ruins—where a big, striped, friendly, finny creature who is more than willing to exchange selfies joins the child, but it hides away when the sub-bus swoops back into sight to pick up its stray. Though The Magic School Bus on the Ocean Floor (1994) carries a considerably richer informational load, in his easy-to-follow sequential panels Hare does accurately depict a spare assortment of benthic life and features, and he caps the outing with a labeled gallery of the errant student’s photos (including “Atlantis?” and “Pliosaur?”). The child is revealed at the end to be Black. Hare also adds cutaway views at the end of a diving suit and the sub. (This book was reviewed digitally with 10-by-19-inch double-page spreads viewed at 40% of actual size.)
A quick but adventuresome paddle into a mysterious realm. (Picture book. 6-8)Pub Date: Sept. 8, 2020
ISBN: 978-0-8234-4630-8
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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