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THE GOOD DEED

An insightful reminder of our responsibilities to one another, more important now than ever.

Set in 2018, Benedict’s latest follows a group of women who have sought refuge on the Greek island of Samos.

The book begins with the frantic rescue of an infant found at sea by Hilma, an American tourist recuperating from a mysterious trauma suffered at her home in New York. Switching among Hilma’s perspective and the voices of four refugees living in a sprawling, squalid refugee camp, the novel depicts the crises of each woman. Amina is a 19-year-old who has been recently released from one of Bashar al-Assad’s torturous prisons in Syria, haunted by the past and longing for her mother. Leila, a Syrian widow with two young sons, is desperately trying to locate her daughter, Farah, and infant granddaughter, captured by smugglers in Turkey. Nafisa, a Sudanese woman who has endured civil war, gang rape, and the murder of her family, is suffering from increasingly poor health. Reversing Homer’s Odyssey, Benedict illustrates the obstacles each refugee faces in her quest to leave home, capturing the myriad tragedies that have befallen them in frank but empathetic prose. The stark contrast between the refugees’ stories and Hilma’s attempts—following her “good deed”—to become a savior only exposes the egotism of her mission. The reader is invited to witness both the hostility with which European countries receive Black and brown refugees and the performativity of white guilt. Revealing the ways racism has been systemically encoded in law and the seemingly Sisyphean task of being granted refuge, Benedict interrogates the constructions of race, nationality, and human-made borders. As the roads of the refugees and Hilma converge, the novel comes to an emotional conclusion, reminding us that hope is still to be found in the most desolate of places and prompting the reader to consider why and how we ask a person to prove their own humanity.

An insightful reminder of our responsibilities to one another, more important now than ever.

Pub Date: April 9, 2024

ISBN: 9781636281124

Page Count: 304

Publisher: Red Hen Press

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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