The “very long reach of war” transcends generations.

WOLF SEASON

Three women struggle to heal after the trauma of war.

Novelist and award-winning journalist Benedict (Sand Queen, 2011, etc.) continues her focus on the Iraq War, the theme of her previous novel, in a bleak, affecting tale set in a cheerless town in upstate New York. The story begins in August, when the air is sticky, the sky ominous, and a life-changing hurricane is about to arrive. “It smells wrong,” 9-year-old Juney says. Juney, who's blind, is the daughter of Rin Drummond, a single mother who served in Iraq, where her husband was killed. As a sergeant, she was called Dragon Drummond, “tough as boot leather and mean as a rattrap,” qualities now intensified by rage. Surrounding her home with fences and barbed wire, she arms herself with rifles, M4 carbines, and an ample supply of ammunition; and she raises three wolves, wild creatures with an instinct for self-protection like her own. At the local Veterans Affairs hospital, Rin encounters Naema, who was a medical student in Sand Queen and now is a pediatrician. Naema has a facial scar from shrapnel, surface evidence of deep emotional wounds: her husband, because he was an interpreter for the American Army, was “atomized into a cloud of blood” by a bomb that also took off half the leg of her young son, Tariq. After fleeing from Iraq and spending years as a refugee, Naema sees her work for the VA as an effort “to undo the war” by healing children hurt “by this terrible inhumanity.” The novel’s third protagonist is Beth, the wife of a Marine who has served multiple tours in Iraq and Afghanistan, leaving Beth to raise their rebellious son by herself. Lonely, Beth turns to drink to numb her pain; the war infuses every moment of these women’s lives. Benedict creates a tender friendship between Tariq and Juney; although they, too, are victims of war, they have emerged as loving, intuitive, and wise. Their kindness toward one another is a rare glimmer of light in a desolate landscape.

The “very long reach of war” transcends generations.

Pub Date: Oct. 10, 2017

ISBN: 978-1-942658-30-6

Page Count: 320

Publisher: Bellevue Literary Press

Review Posted Online: July 17, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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