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SAND QUEEN

A flawed but unforgettable testament.

This bleak novel explores the horrendous impact of the Iraq war on women, both soldiers and civilians.

Based on research conducted for her nonfiction study of women serving in Iraq (The Lonely Soldier, 2009, etc.), Benedict’s fictional portrayal alternates the accounts of Kate, a young specialist stationed at Camp Bucca near Umm Qasr in Iraq, and Naema, a medical student whose family flees to the region after the catastrophic invasion and looting of Bagdad in 2003. Kate is one of three women in a barracks housing 33. Her worst enemies are not Iraqis (derogatorily known as hajjis) but her sergeant, Kormick, and another soldier nicknamed Boner. They sexually assault Kate (the exact nature of the assault is never revealed) on the day she is transferred to another detail, keeping watch in a guard tower overlooking the prison camp at Bucca. Shortly after Naema’s family moves in with her grandmother, American soldiers arrest her father (crippled by torture under Saddam) and preteen brother. Naema goes daily to the camp, where she encounters Kate, who bucks authority to try to get information regarding Naema’s relatives. The kindness of Kate’s comrade Jimmy is so unexpected in this snakepit of a milieu that love between the two, though it exacerbates Kate's dilemma, is inevitable. As the pressures on Kate mount (her tough, seemingly invincible bunkmate is raped by Kormick and Boner, and Kate’s attempts to file charges are laughed off), she revenges herself on the Iraqi detainees, who also single her out for torment because she is a woman. When, mistaking him for one of her prisoner-harassers, she brutalizes Naemas’ father, her spiral of self-destruction accelerates. The enormity of the problems—the woeful inadequacy of soldier’s equipment, the heat, the IEDs, the yawning gap between the mission of “liberation” and the chaos inflicted on Iraqis—that Benedict attempts to pack into such a brief space overwhelms the novel, fragmenting the storytelling into vivid but regrettably sketchy segments.

A flawed but unforgettable testament.

Pub Date: Aug. 2, 2011

ISBN: 978-1-56947-966-7

Page Count: 304

Publisher: Soho

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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