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JOAN OF ARC

A HISTORY

An unorthodox yet erudite and elegant biography of this “massive star.”

A fresh attempt to put young, willful Joan the Maid squarely back at the center of the French-English drama of early- to mid-15th-century France.

If readers can wade through the mystifying details of the struggle for supremacy between the Burgundians (allied to the English and King Henry V) and the Armagnacs (devoted to Charles of Valois), a reward awaits when Joan finally appears midway in British author Castor’s (She-Wolves: The Women Who Ruled England Before Elizabeth, 2010, etc.) historical account. Deciding which side God was on seemed to be the order of the day, and after their humiliating defeat by the English at Agincourt in 1415, the French were hard-pressed to understand why God had chosen the aggressive English invaders to punish them for some unspecified sin. Indeed, Joan was not the first female visionary to appear to advocate for the cause of France. Both Marie Robine (d. 1399) and Jeanne-Marie de Maillé (1331-1414) had broadcast their visions to urge an end to schism. Joan, an illiterate shepherdess at age 16, had left her home village to set out on a mission to speak with the dauphin, housed at Chinon. Her astonishing claims to have been instructed by God to raise an army and drive the English from France so that Charles could be properly crowned required some testing of her integrity, including her virginity. Her adoption of male clothing seemed both an aid in riding and waging war and a way to thwart the sexual advances of men, which plagued her constantly up until her imprisonment. Her victories at Orleans, Jargeau, Patay and Meung, sending the English fleeing in confusion, galvanized the soldiers and townspeople, while her capture at Compiègne suddenly indicated that God had forsaken her. Castor carefully combs the record of her interrogation then and rehabilitation 25 years later.

An unorthodox yet erudite and elegant biography of this “massive star.”

Pub Date: May 19, 2015

ISBN: 978-0-06-238439-3

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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