Like her previous books, this one is darkly hilarious and nearly always on-point.
The author of American Housewife and Southern Lady Code cuts loose with uproarious observations on friendship, middle age, and her own life.
In this essay collection, Ellis considers her everyday world from the perspective of a quirky midlife Southern woman who sees the lighter side of everything, including dire situations. In the first piece, “Grown-Ass Ladies Gone Mild,” the author recounts a series of excursions with childhood friends. Just before the first trip, one friend was diagnosed with breast cancer. Through quasi-adolescent hijinks—including zany water park rides, an evening at a Smoky Mountain theater watching Long Island Medium Theresa Caputo, and a text-message celebration of the friend’s new breast implants—Ellis and her friends strengthened their “lady gang” bonds in defiance of death. Another essay, “Are You There Menopause? It’s Me, Helen” satirizes Judy Blume’s classic, Are Your There God? It’s Me, Margaret. Ellis observes how the unpredictable, sometimes embarrassing bodily changes brought on by the climacteric are just like puberty. The only difference is that women, rather than boys, are “the ones who get a mustache.” Other essays showcase the author’s deadpan humor, such as the mock-manifesto “I’m a Believer!” There, Ellis lets her “freak flag” fly and writes, “I believe in what goes around comes around, reincarnation, and time travel, so my idea of heaven is being Betty White on Match Game.” In “There’s a Lady at the Poker Table,” Ellis cheerfully details how the same Southern lady “primness” she undercuts throughout the book helped make her a formidable opponent in the all-male world of high-stakes poker. This smart, sassy, page-turning collection will appeal to fans of the author’s work as well as anyone who enjoys the quick-witted jocularity of a singular Southern woman who refuses to let anything—or anyone—get her down.
Like her previous books, this one is darkly hilarious and nearly always on-point.Pub Date: July 13, 2021
ISBN: 978-0-385-54615-7
Page Count: 192
Publisher: Doubleday
Review Posted Online: May 3, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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