SCORE ONE FOR THE SLOTHS

An amusing, if decidedly sleepy, tale of sloths and the very relaxing atmosphere of their school—an institution thrown in jeopardy by a bureaucrat of conventional stripe—from the hand-and-glove team behind Tacky the Penguin and Wodney Wat. Sleepy Valley Sloth School lives up to its name: nobody here but drowsy sloths. They snooze through their lessons—so do their teachers—through their recess, through their study hall. They sleep “until six o’clock when the custodian swept them out, and they rolled home.” It was one contented educational establishment. One day a disruptive influence makes the scene: a young fireplug of a sloth named Sparky, who tries to light some fire under her classmates: “ ‘Let’s read a story! Hey, we could use a little music! Want to build a castle? Anyone for math? How about some poetry?’ ” No takers. “ ‘What a bunch of bores,’ ” she sighs. Then a real boar pushes through the door, an operative from the Society for Organizing Sameness, come to close the school for failing in all subjects. Sparky saves the school by dazzling the organization man with feats of reading, music, math, and poetry. Who says sloths are underachievers? They’re being sloths, and just how many creatures have had their name elevated to a common adjective? Only Munsinger could so perfectly catch them in all their languid glory, from the opening page when they are quite literally “just hanging around” as loose-limbed and zonked-out as anything ever seen, to as nearly awake as a sloth can get while piled up in a heap trying to pay attention. And the belly laughs induced by Lester’s words will keep everyone awake. (Picture book. 3-7)

Pub Date: Sept. 1, 2001

ISBN: 0-618-10857-2

Page Count: 32

Publisher: Walter Lorraine/Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2001

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A treat to be savored—and a lesson learned—any time of year.

LOVE MONSTER AND THE LAST CHOCOLATE

From the Love Monster series

The surprised recipient of a box of chocolates agonizes over whether to eat the whole box himself or share with his friends.

Love Monster is a chocoholic, so when he discovers the box on his doorstep, his mouth waters just thinking about what might be inside; his favorite’s a double chocolate strawberry swirl. The brief thought that he should share these treats with his friends is easily rationalized away. Maybe there won’t be enough for everyone, perhaps someone will eat his favorite, or, even worse, leave him with his least favorite: the coffee one! Bright’s pacing and tone are on target throughout, her words conveying to readers exactly what the monster is thinking and feeling: “So he went into his house. And so did the box of chocolates…without a whisper of a word to anyone.” This is followed by a “queasy-squeezy” feeling akin to guilt and then by a full-tilt run to his friends, chocolates in hand, and a breathless, stream-of-consciousness confession, only to be brought up short by what’s actually in the box. And the moral is just right: “You see, sometimes it’s when you stop to think of others…that you start to find out just how much they think of you.” Monster’s wide eyes and toothy mouth convey his emotions wonderfully, and the simple backgrounds keep the focus on his struggle.

A treat to be savored—and a lesson learned—any time of year. (Picture book. 3-7)

Pub Date: Dec. 15, 2015

ISBN: 978-0-00-754030-3

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 21, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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Vital messages of self-love for darker-skinned children.

THE NIGHT IS YOURS

On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.

The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.

Vital messages of self-love for darker-skinned children. (Picture book. 3-7)

Pub Date: July 2, 2019

ISBN: 978-0-525-55271-0

Page Count: 32

Publisher: Dial Books

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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