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A TIME TO SPEAK

A compelling historical memoir by a Czech Jew who survived Auschwitz. Before WW II Lewis studied at the Milca Mayerova dance school in Prague and performed with its professional company. She also taught dance and choreographed her own pieces. After the Nazis invaded Czechoslovakia, Lewis and her husband were deported to the ``model camp'' of Theresienstadt; later they were transported to the Auschwitz death camp in Poland, where they lost track of each other. Lewis, who was a member of a transport of prisoners sent from Auschwitz to labor camps at Stutthof and Kochstadt, survived the war; her husband did not. In 1947 she remarried and settled in Belfast, where she became involved again in choreographing and teaching dance. Lewis writes about the mistreatment she endured in the camps in a straightforward, understated way. She describes small but extraordinary acts of bravery and resistance, such as the time starving prisoners at Kochstadt voted to fast on Yom Kippur despite Nazi threats to withhold their rations once the fast was over. She also describes acts of kindness from unlikely individuals that saved her life; one SS guard slipped her a bottle of medicine for dysentery, thus saving her from selection for death. Through it all, she refused to give up hope and continued to see beauty in the ugliest of surroundings. Lewis's intelligence shines throughout, made more luminous by her compassionate observations about the effects of war on human beings.

Pub Date: May 15, 1994

ISBN: 0-7867-0068-8

Page Count: 144

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1994

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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