A surrealist tale of love, heartbreak, and being haunted by the past.
Two lovers embark on a train journey that forces them to confront who they are to one another—and who they were before ever meeting.
Otto and Xavier Shin board the sleeper train The Lucky Day and set off on "the Lakes and Mountains Route" for their "non-honeymoon honeymoon." As they explore The Lucky Day's magnificently arrayed carriages, Xavier notices their host, the mysterious Ava Kapoor, brandishing a sign that says "Hello"—or is it "Help?"—from the adjoining car. One mystery leads to another, and Otto and Xavier must unravel Ava Kapoor's story if they are to understand their relationship to the past they've hidden from one another. At the heart of the novel is a dispute over an inheritance—which turns out to be a dispute over reality. Is Ava Kapoor the rightful heir to Karel Stojaspal's fortune, or does his son Přemysl actually exist to dispute the estate? Oyeyemi imbues Otto and Xavier's journey with her familiar flair for the fantastic, from wily pet mongooses to trainwide bazaars to men with hazy faces. Yet, as Oyeyemi once again pushes the boundaries of the novel, each of the spaces, times, and characters here are as loose, fragmentary, and un-pin-down-able as the man Otto is unable to see. Like interlinking train carriages, Otto's past leads to Ava Kapoor's, and Xavier's leads to yet another passenger's. Combined, the stories confirm the existence of Přem but raise questions about what it means to be understood by the people who love and know you best. "You run the romantic gauntlet for decades without knowing who exactly it is you're giving and taking such a battering in order to reach," Otto writes early in the novel. "And then, by some stroke of fortune, the gauntlet concludes, the person does exist after all."
A surrealist tale of love, heartbreak, and being haunted by the past.Pub Date: April 6, 2021
ISBN: 978-0-593-19233-7
Page Count: 272
Publisher: Riverhead
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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