A surrealist tale of love, heartbreak, and being haunted by the past.
Two lovers embark on a train journey that forces them to confront who they are to one another—and who they were before ever meeting.
Otto and Xavier Shin board the sleeper train The Lucky Day and set off on "the Lakes and Mountains Route" for their "non-honeymoon honeymoon." As they explore The Lucky Day's magnificently arrayed carriages, Xavier notices their host, the mysterious Ava Kapoor, brandishing a sign that says "Hello"—or is it "Help?"—from the adjoining car. One mystery leads to another, and Otto and Xavier must unravel Ava Kapoor's story if they are to understand their relationship to the past they've hidden from one another. At the heart of the novel is a dispute over an inheritance—which turns out to be a dispute over reality. Is Ava Kapoor the rightful heir to Karel Stojaspal's fortune, or does his son Přemysl actually exist to dispute the estate? Oyeyemi imbues Otto and Xavier's journey with her familiar flair for the fantastic, from wily pet mongooses to trainwide bazaars to men with hazy faces. Yet, as Oyeyemi once again pushes the boundaries of the novel, each of the spaces, times, and characters here are as loose, fragmentary, and un-pin-down-able as the man Otto is unable to see. Like interlinking train carriages, Otto's past leads to Ava Kapoor's, and Xavier's leads to yet another passenger's. Combined, the stories confirm the existence of Přem but raise questions about what it means to be understood by the people who love and know you best. "You run the romantic gauntlet for decades without knowing who exactly it is you're giving and taking such a battering in order to reach," Otto writes early in the novel. "And then, by some stroke of fortune, the gauntlet concludes, the person does exist after all."
A surrealist tale of love, heartbreak, and being haunted by the past.Pub Date: April 6, 2021
ISBN: 978-0-593-19233-7
Page Count: 272
Publisher: Riverhead
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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