Next book

A MAGNIFICENT OBSESSION

VICTORIA, ALBERT, AND THE DEATH THAT CHANGED THE BRITISH MONARCHY

Fluid reading by the knowledgeable author of Queen Victoria: A Biographical Companion.

Absorbing account of the making of a queen through her awful, protracted grief.

To Queen Victoria (1819–1901), her beloved husband Albert was counsel, teacher, co-ruler and more—“King in all but name,” as British historian and Russian expert Rappaport (Conspirator: Lenin in Exile, 2010, etc.) depicts in this readable narrative. Twenty happy years of marriage had produced nine healthy children—unheard of in that era of common infant mortality—and a solid sovereign partnership by 1861. Yet within the year, the unthinkable happened: A mysterious debilitating illness seized her husband, and he died on Dec. 15. Victoria’s all-consuming grief stemmed partly from a deliberate denial of the seriousness of Albert’s disease, both on the part of the doctors and her own willful intractability. A man of regular habits, excellent education, incorruptible rectitude, absolute loyalty and finest culture, Prince Albert had instructed his wife over the years on how to be a proper queen, ironically bolstering her enormous popularity to the detriment of his own. Essentially for the next 10 years she devoted herself to preserving his memory. She erected monuments (a regular “Albertopolis”), banished all pleasures at court, supported an entire industry of black fabrics and jet jewelry and published his speeches and memoir of their life together in Scotland. Eventually the public and the government grew tired of her “luxury of woe” and by year three she was being roundly criticized for her seclusion. Thanks to the loyalty of her favored Highland attendant, John Brown, her fondness for Benjamin Disraeli and her distaste for her profligate heir, Bertie, Queen Victoria got back in the saddle—though Rappaport skates over her transformation in one concluding page, keeping readers wanting more.

Fluid reading by the knowledgeable author of Queen Victoria: A Biographical Companion.

Pub Date: March 13, 2012

ISBN: 978-0-312-62105-6

Page Count: 336

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

Close Quickview