Fans of the genre will find much to treasure in this action-ready, if occasionally simplified, historical depiction.
Schrader (Knight of Jerusalem, 2014, etc.) delivers the second book in a historical fiction trilogy about12th-century crusader Balian d’Ibelin.
The first volume in this series saw Balian rise from the position of a landless knight to a baron over the course of nearly a decade. At the outset of this installment, the year is 1178 and Balian is married to the Dowager Queen of Jerusalem, Maria. The “exceptionally tall, dark-haired and well tanned” Balian visits with the very ill king of Jerusalem. The king hopes to settle his succession, so his concern rests with Balian, and those whose job it is to defend the Holy Land. Muslim forces, including those under the control of Salah ad-Din, are bent on the destruction of the Kingdom of Jerusalem, and available resources are spread thin. What can be done “to keep the Holy Land safe for Christian settlers and Christian pilgrims”? Enter the infamous Knights Templar, who propose building a fort at Jacob’s Ford on the Upper Jordan. As construction progresses and blood is spilled, readers are taken on a journey into a time of hostile multiculturalism. People as diverse as Scottish knights, Greek clergy, and the Fatimid Caliphate converge in peaceful and not-so-peaceful ways as the book deftly paints a time of international conflict. The idea that Europeans ever had a stronghold in the Middle East, let alone a kingdom, may surprise readers unfamiliar with the time period. Regardless of readers’ knowledge, however, the era will prove indisputably fascinating as cultures (and swords) clash. The descriptions can be lengthy and occasionally obvious, such as when wealthy guests at an important wedding are said to come “bearing gifts with an eye to gaining favor,” or when Maria reflects on the possibility of her husband dying: “what a bleak and desolate place this world would be without him!” Taken as a whole, though, the novel succeeds in exploring not only Balian himself, but also the time and place that might produce such a man. Despite its many formalities, honorable words, and pleas to God, it’s an era that may leave many readers wondering, as one character does about the Christian forces, “Why didn’t God help them?”
Fans of the genre will find much to treasure in this action-ready, if occasionally simplified, historical depiction.Pub Date: Sept. 1, 2015
ISBN: 978-1-62787-273-7
Page Count: 630
Publisher: Wheatmark
Review Posted Online: Aug. 4, 2015
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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