Fans of the genre will find much to treasure in this action-ready, if occasionally simplified, historical depiction.
Schrader (Knight of Jerusalem, 2014, etc.) delivers the second book in a historical fiction trilogy about12th-century crusader Balian d’Ibelin.
The first volume in this series saw Balian rise from the position of a landless knight to a baron over the course of nearly a decade. At the outset of this installment, the year is 1178 and Balian is married to the Dowager Queen of Jerusalem, Maria. The “exceptionally tall, dark-haired and well tanned” Balian visits with the very ill king of Jerusalem. The king hopes to settle his succession, so his concern rests with Balian, and those whose job it is to defend the Holy Land. Muslim forces, including those under the control of Salah ad-Din, are bent on the destruction of the Kingdom of Jerusalem, and available resources are spread thin. What can be done “to keep the Holy Land safe for Christian settlers and Christian pilgrims”? Enter the infamous Knights Templar, who propose building a fort at Jacob’s Ford on the Upper Jordan. As construction progresses and blood is spilled, readers are taken on a journey into a time of hostile multiculturalism. People as diverse as Scottish knights, Greek clergy, and the Fatimid Caliphate converge in peaceful and not-so-peaceful ways as the book deftly paints a time of international conflict. The idea that Europeans ever had a stronghold in the Middle East, let alone a kingdom, may surprise readers unfamiliar with the time period. Regardless of readers’ knowledge, however, the era will prove indisputably fascinating as cultures (and swords) clash. The descriptions can be lengthy and occasionally obvious, such as when wealthy guests at an important wedding are said to come “bearing gifts with an eye to gaining favor,” or when Maria reflects on the possibility of her husband dying: “what a bleak and desolate place this world would be without him!” Taken as a whole, though, the novel succeeds in exploring not only Balian himself, but also the time and place that might produce such a man. Despite its many formalities, honorable words, and pleas to God, it’s an era that may leave many readers wondering, as one character does about the Christian forces, “Why didn’t God help them?”
Fans of the genre will find much to treasure in this action-ready, if occasionally simplified, historical depiction.Pub Date: Sept. 1, 2015
ISBN: 978-1-62787-273-7
Page Count: 630
Publisher: Wheatmark
Review Posted Online: Aug. 4, 2015
Review Program: Kirkus Indie
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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