Sharp research meets vivid storytelling in an absorbing novel of the postwar period.
American author Schrader’s historical series-starter charts the events preceding the Berlin airlift from a European perspective.
The author’s Bridge to Tomorrow trilogy examines how the Berlin airlift, a colossal operation to counter the Soviet blockade of the German capital, was a pivotal moment between the post–World War II and Cold War eras. This first installment covers the period between late 1947 and June 1948, when the international crisis first began. Royal Air Force Wing Commander Robert Priestman is a British flying ace with a past reputation for “irresponsible aerobatics” and a playboy image. Priestman accepts the new role of station commander at RAF Gatow, Berlin, which will become the world’s busiest airport. He relocates to Germany with his wife, Emily Priestman, who’s also a pilot; she contributed to the war effort by delivering service aircraft. Among other characters headed for Berlin is David Goldman, who, after receiving a sizeable inheritance, is intent on operating an air ambulance business from the city, and RAF Flight Sergeant Kathleen Hart, a war widow and single parent who’s also been assigned to Berlin; she leaves England in the hope of finding love. The characters find the crime-ridden postwar city in ruins, and the threat from the Soviet Sector of Berlin is clear. Priestman must deal with Soviet fighter planes repeatedly harassing RAF aircraft; a tragedy results in an international crisis, and it seems as if another world war could be on the horizon.
Schrader is a sharply descriptive writer who captures the atmosphere and minute details of life in postwar Berlin with photographic precision: “Behind façades shorn of plaster, people existed more than lived. They cooked a little food over a wood-burning stove, crowded around a radio, perhaps, or read by the light of a bulb dangling from the ceiling.” The author’s research is impressive; in her historical notes, for example, she highlights her quest to pin down an accurate date for the construction of Gatow’s concrete runway. The novel ambitiously juggles several major characters, and the author ably handles the tricky task of making each well rounded and psychologically believable. She provides in-depth background information that reveals not only the various players’ pasts, but also their understanding of one another. In a description of the relationship between Priestman and his spouse, for instance, Schrader writes that “he had never been able to talk to her about being a prisoner, about how it made him feel naked, worthless and helpless. He’d certainly never told her about the brutality he’d experienced on recapture.” One minor criticism is that the author spends much of the first half of the novel simply introducing people, which becomes somewhat programmatic. Although this process could have been more smoothly integrated, one can make a case for its necessity, given the trilogy’s vast scope. Overall, this is a smart and compelling read, punctuated by gripping aerial sequences, political tension, and a dash of romance. It will likely have military fiction fans clamoring for the next installment.
Sharp research meets vivid storytelling in an absorbing novel of the postwar period.Pub Date: June 15, 2023
ISBN: 979-8987177006
Page Count: 516
Publisher: Cross Seas Press
Review Posted Online: July 27, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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