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COLD PEACE

PART 1: BRIDGE TO TOMORROW

Sharp research meets vivid storytelling in an absorbing novel of the postwar period.

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American author Schrader’s historical series-starter charts the events preceding the Berlin airlift from a European perspective.

The author’s Bridge to Tomorrow trilogy examines how the Berlin airlift, a colossal operation to counter the Soviet blockade of the German capital, was a pivotal moment between the post–World War II and Cold War eras. This first installment covers the period between late 1947 and June 1948, when the international crisis first began. Royal Air Force Wing Commander Robert Priestman is a British flying ace with a past reputation for “irresponsible aerobatics” and a playboy image. Priestman accepts the new role of station commander at RAF Gatow, Berlin, which will become the world’s busiest airport. He relocates to Germany with his wife, Emily Priestman, who’s also a pilot; she contributed to the war effort by delivering service aircraft. Among other characters headed for Berlin is David Goldman, who, after receiving a sizeable inheritance, is intent on operating an air ambulance business from the city, and RAF Flight Sergeant Kathleen Hart, a war widow and single parent who’s also been assigned to Berlin; she leaves England in the hope of finding love. The characters find the crime-ridden postwar city in ruins, and the threat from the Soviet Sector of Berlin is clear. Priestman must deal with Soviet fighter planes repeatedly harassing RAF aircraft; a tragedy results in an international crisis, and it seems as if another world war could be on the horizon.

Schrader is a sharply descriptive writer who captures the atmosphere and minute details of life in postwar Berlin with photographic precision: “Behind façades shorn of plaster, people existed more than lived. They cooked a little food over a wood-burning stove, crowded around a radio, perhaps, or read by the light of a bulb dangling from the ceiling.” The author’s research is impressive; in her historical notes, for example, she highlights her quest to pin down an accurate date for the construction of Gatow’s concrete runway. The novel ambitiously juggles several major characters, and the author ably handles the tricky task of making each well rounded and psychologically believable. She provides in-depth background information that reveals not only the various players’ pasts, but also their understanding of one another. In a description of the relationship between Priestman and his spouse, for instance, Schrader writes that “he had never been able to talk to her about being a prisoner, about how it made him feel naked, worthless and helpless. He’d certainly never told her about the brutality he’d experienced on recapture.” One minor criticism is that the author spends much of the first half of the novel simply introducing people, which becomes somewhat programmatic. Although this process could have been more smoothly integrated, one can make a case for its necessity, given the trilogy’s vast scope. Overall, this is a smart and compelling read, punctuated by gripping aerial sequences, political tension, and a dash of romance. It will likely have military fiction fans clamoring for the next installment.

Sharp research meets vivid storytelling in an absorbing novel of the postwar period.

Pub Date: June 15, 2023

ISBN: 979-8987177006

Page Count: 516

Publisher: Cross Seas Press

Review Posted Online: July 27, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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