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HELGA'S DIARY

A YOUNG GIRL'S ACCOUNT OF LIFE IN A CONCENTRATION CAMP

Weiss’ moving eyewitness portrait adds a deepening to the understanding of the Jews’ plight during this horrific period in...

A young Prague girl’s diary, amended after the events, chronicles her yearning for a normal life before deportation to Terezin and Auschwitz.

Covering the fraught period between Czechoslovakia’s mobilization for war in late 1938, when the author turned 9, to May 1945, when Weiss and her mother finally returned to Prague after the capitulation of the prison camp Mauthausen, where they were last transported, this diary offers a poignant look at the tense, precarious fate of the Jews under Nazi occupation. Weiss lived with her mother and father in a middle-class flat in Prague when the Germans invaded her homeland and anti-Jewish laws were put into place, gradually restricting every aspect of their lives. The author’s school was closed down, forcing her to be home-schooled at private apartments, and her unemployed father took over the cooking and cleaning. In December 1941, Weiss and her parents were deported to Terezin, confined to the bleak, disease-ridden barracks, and under constant threat of more transports east. In October 1944, Weiss’ father was sent to a labor camp, never to be seen again, while the author and her mother were sent briefly to Auschwitz, then to work in an airplane factory in Freiberg. Lying about her age, she was able to stay with her mother, and they managed to survive the cold, disease and hunger. Before transport, the diary and drawings were given to her uncle at Terezin, who worked in the records department and bricked the documents in the walls of the barracks. After the war, she subsequently edited and added the sections on the concentration camps, all carefully documented here.

Weiss’ moving eyewitness portrait adds a deepening to the understanding of the Jews’ plight during this horrific period in history.

Pub Date: April 22, 2013

ISBN: 978-0-393-07797-1

Page Count: 240

Publisher: Norton

Review Posted Online: Feb. 16, 2013

Kirkus Reviews Issue: March 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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