by Hendrik Groen ; translated by Hester Velmans ‧ RELEASE DATE: June 1, 2021
Droll buffoonery built atop antiquated stereotypes, repudiated gender roles, and threadbare “wit.”
If stealing a 12-week-old baby four days before Christmas sounds potentially amusing, this might be the novel for you.
Seventy-something Dutchman Evert Duiker, “loudmouth, bullshit artist, heart of gold,” is on his way to his weekly chess game with fellow septuagenarian Hendrik Groen when he has to pee. He stops at the Princess Margriet School and, on his way out of the bathroom, sees Sabine Verbeek—baby Jesus in the evening’s Christmas pageant—waiting unattended in her pram. Evert decides to take her, not out of malice, but simply because he “[thinks] it would be fun.” He and Hendrik immediately acknowledge that “the parents must be out of their minds with worry” but ultimately worry more about being punished for kidnapping. To assuage their guilt as they bumble through feedings, diaper changes, and abandoned attempts to leave Sabine to be recovered in an underpass, they call the school custodian to say “it’s all been a misunderstanding.” The custodian’s opportunistic brother has other ideas and phones the parents demanding a 100,000 euro ransom. If this plot doesn’t entice you, perhaps the tiresome characters will. The women, with one late exception, are particularly reductive, depicted as either scheming (the mayor), shrinking (Sabine’s mother), or annoying (assorted wives, neighbors, and passersby). Men disparage their appearances by calling them “lard-ass” and “fat”; yearn for one’s “lovely ass” and another’s “big tits”; and belittle them as “that broad,” “old witch,” “nosy bitch,” “nagging old lady,” and more. In the end, the wunderkind chief prosecutor, seemingly motivated solely by his desire to show up the mayor, who “looks like she’s spent an hour at the beauty parlor,” comes to the rescue.
Droll buffoonery built atop antiquated stereotypes, repudiated gender roles, and threadbare “wit.”Pub Date: June 1, 2021
ISBN: 978-1-5387-5352-1
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
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by Jodi Picoult ‧ RELEASE DATE: Sept. 15, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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