Stories that effectively reveal meaning in spaces that seem empty and build bridges between characters’ joys and sorrows.
Colt offers a collection of flash fiction in which the heart lies in what’s not said.
A section of stories titled “Life” includes a tale of a philosopher who finds his salvation in listening (“In Aristotle’s Footsteps”) and another in which a farewell in a doorway could be an invitation to more (“Sticky Lips and the Stray Cat”); they are often about moments that are made sweeter by indecision. In “Gingerbread Love,” two people with deep but unrelated histories in the same location, both suffering loss, find a personal connection. That story and “The Deer Trail,” about a father-son hike that moves from non sequitur to natural disaster, offer a flicker of what burns brighter in the “Death” stories: themes that touch on the impact of memory and the duration of love. Stories in this second section more easily find their footing and take readers to complex places. “A Cold Little Secret,” for example, opens with cinematic immediacy as two men tracking polar bears near Barrow, Alaska, flip their four-wheel-drive vehicle in subzero conditions: “My slightly dazed friend grabs some rope and a chainsaw from the back seat before clambering onto the snow.” But the accident doesn’t cause the death that this story is about; it goes deeper than a surface skid on ice. Colt was nominated for a Pushcart Prize for “A Death in Quito,” one of the best stories, in which bearing witness becomes a bulwark against being alone. “Kansas City Ganges” and “Jungbu’s Mother” are tales in which Colt reaches creative peaks: Personal stories interweave and shifts of great enormity occur in the silence between words—and they deliver on an implicit promise in the book’s first section.
Stories that effectively reveal meaning in spaces that seem empty and build bridges between characters’ joys and sorrows.Pub Date: Aug. 11, 2022
ISBN: 978-0984834785
Page Count: 162
Publisher: Rake House
Review Posted Online: June 2, 2023
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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