Carson partisans may find this memoir self-serving (what memoir isn’t?), but most readers will be captivated by this...
The King of Late Night’s lawyer, confidant, tennis partner and butt of his “Bombastic Bushkin” gags appraises their 18-year relationship.
Mainly due to the often bitter jokes he began making about marriage, often at his own expense, around the time of his expensive divorce from his third wife in the early 1980s, Johnny Carson (1925–2005) is known for his marital troubles. Though the late-night host is also known for his reclusiveness from the Hollywood scene—a reputation Bushkin demonstrates was not entirely warranted—most casual observers may not know that Carson had difficulty with all sorts of relationships, beginning with his praise-stingy mother Ruth, whose approval Carson vainly sought until her death, and continuing with his three sons (Carson admitted to being a poor, distant father). Fresh out of Vanderbilt Law School at 23, Bushkin began working for Carson in 1970 and had, arguably, the closest and sturdiest relationship with Carson of the entertainer’s entire life until its acrimonious end in 1988 (“Johnny terminated our relationship in a mere three-minute conversation….There was no final act”). The secret to his success? At the expense of his own marriage and relationships with his children, Bushkin made it his career to keep Carson happy at all hours of the day and night. This might mean getting him a contract with NBC that made him the highest-paid entertainer in the world. It could also mean breaking and entering into Carson’s second wife’s adulterous “love nest” to gather evidence for divorce, listening to a drunken Caron’s self-psychoanalysis at an after-hours watering hole, disappearing discreetly when one of the boss’s many voluptuous playmates appeared, or stepping between Carson and people he wanted to hit or who wanted to hit him.
Carson partisans may find this memoir self-serving (what memoir isn’t?), but most readers will be captivated by this high-definition, off-camera, extreme close-up view of the enigmatic entertainer.Pub Date: Oct. 15, 2013
ISBN: 978-0-544-21762-1
Page Count: 304
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Oct. 4, 2013
Kirkus Reviews Issue: Oct. 15, 2013
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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