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JOHNNY CARSON

Carson partisans may find this memoir self-serving (what memoir isn’t?), but most readers will be captivated by this...

The King of Late Night’s lawyer, confidant, tennis partner and butt of his “Bombastic Bushkin” gags appraises their 18-year relationship.

Mainly due to the often bitter jokes he began making about marriage, often at his own expense, around the time of his expensive divorce from his third wife in the early 1980s, Johnny Carson (1925–2005) is known for his marital troubles. Though the late-night host is also known for his reclusiveness from the Hollywood scene—a reputation Bushkin demonstrates was not entirely warranted—most casual observers may not know that Carson had difficulty with all sorts of relationships, beginning with his praise-stingy mother Ruth, whose approval Carson vainly sought until her death, and continuing with his three sons (Carson admitted to being a poor, distant father). Fresh out of Vanderbilt Law School at 23, Bushkin began working for Carson in 1970 and had, arguably, the closest and sturdiest relationship with Carson of the entertainer’s entire life until its acrimonious end in 1988 (“Johnny terminated our relationship in a mere three-minute conversation….There was no final act”). The secret to his success? At the expense of his own marriage and relationships with his children, Bushkin made it his career to keep Carson happy at all hours of the day and night. This might mean getting him a contract with NBC that made him the highest-paid entertainer in the world. It could also mean breaking and entering into Carson’s second wife’s adulterous “love nest” to gather evidence for divorce, listening to a drunken Caron’s self-psychoanalysis at an after-hours watering hole, disappearing discreetly when one of the boss’s many voluptuous playmates appeared, or stepping between Carson and people he wanted to hit or who wanted to hit him.

Carson partisans may find this memoir self-serving (what memoir isn’t?), but most readers will be captivated by this high-definition, off-camera, extreme close-up view of the enigmatic entertainer.

Pub Date: Oct. 15, 2013

ISBN: 978-0-544-21762-1

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Oct. 4, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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